False EvidenceOppenheim, E. Phillips (Edward Phillips)
General
False Evidence
Oppenheim, E. Phillips (Edward Phillips)
Soldiers -- Fiction
"Now, sit down again, and tell me how the headache is," she exclaimed,
sinking herself into the cushioned recess, and drawing her skirts aside
to make room for me. "See, I've brought you my favourite
smelling-salts, and I have some sal volatile in my pocket. I mustn't
doctor you before all these people, though! And now for the question
I'm dying to ask. Shall you be able to waltz?"
"Come and see," I said, rising and offering her my arm, for an exodus
was already taking place from the room. "It's awfully good of you,
Lady Olive, to remember my headache," I added, gratefully.
She tapped my fingers with her fan.
"Don't make speeches, sir. What a grand old place this is, isn't it?"
We were to dance in the armour gallery, and the whole party were making
their way there now. The magnificent staircase, bordered with massive
black oak balustrades, up which we were passing, descended into the
middle of the hall, and was supported by solid black marble pillars;
and the corridor, which ran at right angles to it, was lighted by
stained-glass windows, in front of each of which armoured knights were
grimly keeping watch. One corridor led into another, all of noble
dimensions, with high oriel windows, and lined by a silent ghostly
guard of steel-clad warriors and polished marble statues. A strange
contrast they seemed to the gay laughing procession of girls, in their
low-necked dinner dresses and flashing diamonds, and men in their mess
jackets and evening coats. Maud alone, moving with the slow, stately
grace of a princess of former days, seemed in keeping with our
surroundings.
Soon the sound of violins reached us, and, pushing aside the heavy
curtains, we descended two steps and stood in the armour gallery.
Maud's imagination and many nimble fingers had been busy here, and at
first I scarcely knew the place. Fairy lights with various coloured
shades hung from the mailed gloves of many generations of Devereux, and
the black oak floor was shining with a polish beyond its own. But no
fairy lights or bracketed candles could dispel the gloom which hung
about the long lofty gallery, with its vaulted roof black with age, and
its panelled walls hung with the martial trophies of every age and
every land. And yet it was a gloom which seemed in keeping with the
place, and no one found it oppressive.
I danced with Lady Olive, and then, as we stood talking in the shade of
one of my armoured forefathers, Captain Hasleton came up and claimed
her, and I was left alone. Nearly opposite me was Maud, standing like
an exquisite picture in the softened light of one of the stained-glass
windows. But I did not go to her at once. Several men were talking to
her, and she was answering them with the languid air of one who finds
it hard to be amused, and her blue eyes more than once travelled past
them and looked into mine indifferently, but still with a meaning in
them. At last I crossed the room and stood before her.
Public-domain text, read in full here on John Shaqi.
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