False EvidenceOppenheim, E. Phillips (Edward Phillips)
General
False Evidence
Oppenheim, E. Phillips (Edward Phillips)
Soldiers -- Fiction
"You promised me a waltz, I think, Miss Devereux. Will not this one
do?"
She hesitated for a moment, and then she laid her hand on my
coat-sleeve, and we moved away. Without a word I passed my arm around
her waist, and we floated slowly up the room. It was one of
Waldteufel's wild, sad waltzes, now bursting into a loud flood of
music, now dying away into a few faint melodious chords. For many
years afterwards I never heard it played without longing to rush away
into solitude and recall those few minutes of exquisite happiness in
that strange, dimly-lit ball-room.
All things come to an end, and so did that waltz. Maud promised me the
next but one, and was led away by Lord Annerley, and, to while away the
time, I took a lamp from a bracket on the wall, and, pushing aside the
heavy curtains, stepped into the picture gallery to look at my father's
portrait.
It was not the first time by many that I had done so, for when I had
been shown over the court soon after my arrival my first visit had been
here. Bitterly indignant had I felt when, after I had looked for long
in vain for my father's picture, I had found it--with its face turned
against the wall. I had turned it round again during a moment or two
when Groves, the portly house-steward, had been otherwise engaged, and
since then it had not been disturbed, for Sir Francis no longer made
this his favourite lounging-place; indeed, he seldom came here at all.
The sound of the music and of voices--some fresh ones I fancied--came
to me in a faint, indistinct hum through the drawn curtains, and for a
while I forgot all about them. I seemed in another world, amongst
these long rows of my frowning ancestors, beruffed ladies in quilted
gowns and dresses of strange device, armed knights, and beaux of a
later and more peaceful age with perukes, knee-breeches, and
snuff-boxes. But though I walked the whole length of the gallery, and
glanced leisurely at all of them, it was my father's picture at which I
lingered longest, and before which I was standing absorbed when the
drawing of the curtain and the sound of voices and feet entering the
gallery made me start round and very nearly drop the candle which I
held in my hand.
"Why, Arbuthnot, what are you doing moping in here?" exclaimed Sir
Francis, in a tone of astonishment. "Why don't you go and dance?"
I turned round with some excuse on my lips, but it died away when I saw
who were his companions. Walking by his side was a tall dark man, with
iron-grey hair, and pale, delicate face. On his arm was Maud, and,
glancing from one to another, I knew that this was her father, my Uncle
Rupert. Behind was my cousin Francis, with Lady Olive on his arm. It
was a strange meeting.
"This is Mr. Arbuthnot, Rupert, whom I was telling you about just now,"
Sir Francis went on, without appearing to notice my start, "Arbuthnot,
this is my son, Mr. Rupert Devereux."
Public-domain text, read in full here on John Shaqi.
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