Familiar Studies in HomerClerke, Agnes M. (Agnes Mary)
History
Familiar Studies in Homer
Clerke, Agnes M. (Agnes Mary)
Epic poetry, Greek -- History and criticism; Homer -- Criticism and interpretation
The practice of eating or smoking hemp, for the sake of its exalting
effects upon consciousness, appears to have originated on the slopes of
the Himalayas, to have spread thence to Persia, and to have been
transmitted farther west by Arab agency. It was not, then, primitively
an Egyptian custom, and was assuredly unknown to the wife of Thôn.
Moreover, hemp is not indigenous on the banks of the Nile. It came
thither as an immigrant, most probably long after the building of the
latest pyramid. Herodotus includes no mention of it in his curious and
particular account of the country; and, which is still more significant,
no relic of its textile use survives. Not a hempen fibre has ever been
found in any of the innumerable mummy-cases examined by learned
Europeans. The ancient Egyptians, it may then be concluded, were
unacquainted with this plant, and we must look elsewhere for the chief
ingredient of the comfort-bringing draught distributed by the daughter
of Zeus.
There is only opium left. It is legitimately reached by the ‘method of
exclusions.’ Should it fail, no substitute can be provided. But it does
not fail. No serious discrepancy starts up to shake our belief that in
recognising opium under the disguise of nepenthes we have indeed struck
the truth. All the circumstances correspond to admiration: the
identification runs ‘on all fours.’ The physical effects indicated agree
perfectly with those resulting from a sparing use of opium. They tend to
just so much elevation of spirits as would impart a roseate tinge to the
landscape of life. The intellect remains unclouded and serene. The
Nemesis of indulgence, however moderate, is still behind the scenes. The
exhibition of a soporific effect has even been seriously thought to have
been designed by the poet in the proposal of Telemachus to retire to
rest shortly after the nepenthean cup has gone round; but so bald a
piece of realism can scarcely have entered into the contemplation of an
artist of such consummate skill.
Public-domain text, read in full here on John Shaqi.
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