He is not brought immediately upon the scene of action; the Homeric poems nowhere provide for him a local habitation; it is only in the comparatively late Hymn to Aphrodite that a place is specifically assigned to him among the feral products of Mount Ida. His portraiture, nevertheless, in the similes of the Iliad is too minute and faithful to leave any shadow of doubt of its being based upon intimate personal acquaintance. The poet must have witnessed with his own eyes the change from majestic indifference to bellicose frenzy described in the following passage; he must have caught the greenish glare of the oblique feline eyes, noted the preparatory tail-lashings, and mentally photographed the crouching attitude, and the yawn of deadly significance, that preceded the fierce beast’s spring. And on the other side, the son of Peleus rushed to meet him, like a lion, a ravaging lion whom men desire to slay, a whole tribe assembled; and first he goeth his way unheeding, but when some warrior-youth hath smitten him with a spear, then he gathereth himself open-mouthed, and foam cometh forth about his teeth, and his stout spirit groaneth in his heart, and with his tail he scourgeth either side his ribs and flanks and goadeth himself on to fight, and glaring is borne straight on them by his passion to try whether he shall slay some man of them, or whether himself shall perish in the forefront of the throng.[153] Footnote 153: _Iliad_, xx. 164-73. Take, again, the picture of the lioness defending her young, while Within her the storm of her might doth rise, And the down-drawn skin of her brows over-gloometh the fire of her eyes.[154] Or this other, exemplifying, like the ‘hungry people’ simile in ‘Locksley Hall,’ the ‘imperious’ beast’s dread of fire: And as when hounds and countryfolk drive a tawny lion from the mid-fold of the kine, and suffer him not to carry away the fattest of the herd, all night they watch, and he in great desire for the flesh maketh his onset; but takes nothing thereby, for thick the darts fly from strong hands against him, and the burning brands, and these he dreads for all his fury, and in the dawn he departeth with vexed heart.[155] Footnote 154: Way’s _Iliad_, xvii. 135-36. The feminine pronouns are here introduced to avoid incongruity. The Homeric vocabulary did not include a word equivalent to ‘lioness.’ Footnote 155: _Iliad_, xx. 164-75. Scenes of leonine ravage among cattle are frequently presented. As here: