Familiar Studies in HomerClerke, Agnes M. (Agnes Mary)
History
Familiar Studies in Homer
Clerke, Agnes M. (Agnes Mary)
Epic poetry, Greek -- History and criticism; Homer -- Criticism and interpretation
Daubeny, _Trees of the Ancients_, p. 19.
Footnote 201:
Dierbach, _Flora Mythologica_, p. 42.
What might be called the ornamental part of the Ogygian groves consisted
of black poplars, aromatic cypresses, and alders. Indigenous there,
likewise, although heard of only as supplying perfumed firewood, were
the ‘cedar’ and ‘_thuon_,’ split logs of which blazed within the
fragrant cavern where Calypso was found by Hermes tunefully singing
while she plied the shuttle. The cedar here mentioned, however, was no
‘cedar of Lebanon,’ but a description of juniper which attains the full
dimensions of a tree in the lands bordering on the Levant.[202] The
resinous wood yielded by it was highly valued by the Homeric Greeks for
its ‘grateful smell’; store-rooms for precious commodities, and the
‘perfumed apartments’ of noble ladies were constructed of it. This, at
least, is expressly stated of Hecuba’s chamber, and can be inferred of
Helen’s and Penelope’s. The _thuon_, or ‘wood of sacrifice,’ burnt with
cedar-wood on Calypso’s hearth, was identified by Pliny with the African
_citrus_, extravagantly prized for decorative furniture in Imperial
Rome, and thought to be represented by a coniferous tree called _Thuya
articulata_, now met with in Algeria.[203]
Footnote 202:
Buchholz, _Realien_, Bd. i. Abth. ii. p. 232.
Footnote 203:
Daubeny, _op. cit._ pp. 40-42.
The trees shadowing, in the Odyssey, the entrance by the ‘deep-flowing
Ocean’ to the barren realm of death,[204] appear to have been selected
for that position owing to a supposed incapacity for ripening fruit. The
grove in question was composed of ‘lofty poplars’ and ‘seed-shedding
willows’; and poplars and willows were alike deemed sterile and, because
sterile, of evil omen.[205] Even among ourselves, the willow retains a
dismal significance, and it is prominent in Chinese funeral rites.[206]
The black poplar continued to the end sacred to Persephone; but its
connexion with Hades, in the traditions of historic Greece, was less
explicit than that of the white poplar (_Populus alba_). This last tree,
called by Homer _acheroïs_, had its especial habitat on the shores of
the Acheron in Thesprotia, whence, as Pausanias relates,[207] it was
brought to the Peloponnesus by Hercules; and the same hero, in a variant
of the story, returned crowned with poplar from his successful
expedition to Hades. In the Odyssey the white poplar does not occur, and
in the Iliad only in a simile employed to render more impressive, first
the collapse of Asius under the stroke of Idomeneus, and again the
overthrow of Sarpedon by Patroclus. ‘And he fell, as an oak falls, or a
poplar, or tall pine tree, that craftsmen have felled on the hills, with
new-whetted axes.’[208]
Footnote 204:
_Odyssey_, x. 510.
Footnote 205:
Hayman’s ed. of the _Odyssey_, vol. ii. p. 174; Pliny, _Hist. Nat._
xvi. 46.
Footnote 206:
Gubernatis, _Mythologie des Plantes_, t. ii. p. 337.
Footnote 207:
_Descriptio Græciæ_, v. 14.
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