Famous Affinities of History: The Romance of Devotion. Volume 2Orr, Lyndon
History
Famous Affinities of History: The Romance of Devotion. Volume 2
Orr, Lyndon
Biography; Love; Women -- Biography
She appeared; and at sight of her the music stopped, silence fell upon
the assemblage, and a sort of quiver went through every one. Her
costume was of the finest muslin bordered with golden palm-leaves. Four
bands, spotted like a leopard's skin, were wound about her head, while
these in turn were supported by little clusters of golden grapes. She
had copied the head-dress of a Bacchante in the Louvre. All over her
person were cameos, and just beneath her breasts she wore a golden band
held in place by an engraved gem. Her beautiful wrists, arms, and hands
were bare. She had, in fact, blotted out her rivals.
Nevertheless, Mme. de Coutades took her revenge. She went up to
Pauline, who was lying on a divan to set off her loveliness, and began
gazing at the princess through a double eye-glass. Pauline felt
flattered for a moment, and then became uneasy. The lady who was
looking at her said to a companion, in a tone of compassion:
"What a pity! She really would be lovely if it weren't for THAT!"
"For what?" returned her escort.
"Why, are you blind? It's so remarkable that you SURELY must see it."
Pauline was beginning to lose her self-composure. She flushed and
looked wildly about, wondering what was meant. Then she heard Mme.
Coutades say:
"Why, her ears. If I had such ears as those I would cut them off!"
Pauline gave one great gasp and fainted dead away. As a matter of fact,
her ears were not so bad. They were simply very flat and colorless,
forming a contrast with the rosy tints of her face. But from that
moment no one could see anything but these ears; and thereafter the
princess wore her hair low enough to cover them.
This may be seen in the statue of her by Canova. It was considered a
very daring thing for her to pose for him in the nude, for only a bit
of drapery is thrown over her lower limbs. Yet it is true that this
statue is absolutely classical in its conception and execution, and its
interest is heightened by the fact that its model was what she
afterward styled herself, with true Napoleonic pride--"a sister of
Bonaparte."
Pauline detested Josephine and was pleased when Napoleon divorced her;
but she also disliked the Austrian archduchess, Marie Louise, who was
Josephine's successor. On one occasion, at a great court function, she
got behind the empress and ran out her tongue at her, in full view of
all the nobles and distinguished persons present. Napoleon's eagle eye
flashed upon Pauline and blazed like fire upon ice. She actually took
to her heels, rushed out of the ball, and never visited the court again.
It would require much time to tell of her other eccentricities, of her
intrigues, which were innumerable, of her quarrel with her husband, and
of the minor breaches of decorum with which she startled Paris. One of
these was her choice of a huge negro to bathe her every morning. When
some one ventured to protest, she answered, naively:
"What! Do you call that thing a MAN?"
Public-domain text, read in full here on John Shaqi.
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