It might dull the reader's interest to enter into a detailed account of all the early work that Ford did in his father's library, but we may say that between 1886 and 1896 he published more than twenty pamphlets and books bearing on American historiography and bibliography, besides the bulk of "The Writings of Thomas Jefferson." As evidence of his prodigious capacity for energy, we offer the list of works which he published in the single year 1889: "The Franklin Bibliography: a list of books written by or relating to Benjamin Franklin," "List of Some Briefs in Appeal Cases Which Relate to America Tried Before the Lords Commissioners of Appeals of Prize Cases of His Majesty's Privy Council, 1736-1758," "Check-List of American Magazines Printed in the Eighteenth Century," "Check-List of Bibliographies, Catalogues, Reference Lists, and Lists of Authorities of American Books and Subjects," "Some Materials for a Bibliography of the Official Publications of the Continental Congress for 1774," "The Ideals of the Republic; or Great Words from Great Americans," and "Who was the Mother of Franklin's Son?" His most notable historical works are "The True George Washington," which excited so much comment when it appeared in 1896, and "The Many-Sided Franklin," published serially in _The Century Magazine_ a few years ago. Though he may take advantage of moods, he does not wait for moods. They say that Alphonse Daudet was such a man of moods that two months would pass sometimes and leave the paper before him still blank. Ford is Daudet's antithesis in this respect. His pen is always ready. Perhaps this characteristic is one of the advantages of pursuing diverse interests. Yet, notwithstanding the immense amount of literature which he has produced already, the New Yorker is as painstaking as one of those Japanese artists who will labor for years on a single vase. Once, when half-way through a book, he discovered that he was reaching the wrong conclusion, so he destroyed what he had done and began again. Only a writer with a heroic disregard of time and effort, and with a sincere purpose and unlimited zeal, would make such a sacrifice. It is what we should expect of every master-craftsman, yet we fear that the deed is uncommon enough.