Famous Authors (Men)Harkins, E. F. (Edward Francis)
General
Famous Authors (Men)
Harkins, E. F. (Edward Francis)
Authors, American -- 19th century -- Biography
novels which deal with the past, as only the writers of such novels
know. It may be a virtue not worth achieving, but it was a whim of
mine to achieve it. Ill health forbade fast writing, the success of my
last previous work permitted slow writing, and I resolved to utilize
the occasion by achieving one merit which, as it required neither
genius nor talent, but merely care, was within my powers. The result
of my care must appear as much in what the story omits as in what it
contains. The reader may be assured at the outset, if it matters a
straw to him, that the author of this romance of Elizabethan London
(and its neighborhood) is himself at home in Elizabethan London; if he
fails to make the reader also a little at home there in the course of
the story, it is only because he lacks the gift, or skill of imparting."
Months ago the demand for "Captain Ravenshaw" was so great that the
publishers were forced to issue an unprecedentedly large first edition.
The present circumstance is an eloquent commentary on the increase of
the author's power and popularity.
That power and that popularity seem destined to grow larger book by
book. The master of a most graceful style and of diction unsurpassed
for simplicity and clearness; a trained observer, as every successful
writer must be; a diligent and uncommonly perspicacious student of the
periods from which he takes his characters, the author of "Captain
Ravenshaw" promises ably to sustain his already high reputation. As the
fulfilment of this promise depends largely on the state of his health,
we wish him well, confident that in expressing the wish we but echo the
sentiment of his wide circle of admirers.
[Illustration: CHARLES G. D. ROBERTS.]
CHARLES G. D. ROBERTS
"Professor" Roberts he is still called by his old friends in New
Brunswick, and, so far as we know, "Old Man" he is still called by his
literary companions. "The 'Old Man,'" said Richard Hovey a few years
ago, "he is fondly called by the poets who are his companions, not
that he is so much the elder of the group, but perhaps because he had
already achieved a certain measure of reputation and was a full-fledged
man of letters when the others were just beginning their callow
boy-bows to the Muse. And the name, given at the outset in a comic,
mock-filial mood, has stuck to him as a term of endearment."
Hovey--may he rest in peace!--loved and admired Roberts. He said so
in writing; he said so o' nights in the company of his old friends
in Boston. Hovey had a manner that would remind one of the rivers
branching off Roberts's familiar Bay of Fundy. At first, a stranger,
you found it empty; in a few moments, if he offered you the right hand
of fellowship, it was flooding with a warm tide.
Public-domain text, read in full here on John Shaqi.
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