He afterwards experienced another failure at the _Opéra Comique_ with
"Le Pot de fleurs" (March 12, 1805), but this failure did not make much
impression, for people remembered only "Milton."
Moreover, Spontini was engaged upon the work which was to gain for him
immortality. He had found in Jouy's poem the opportunity for developing
all his qualities of breadth, boldness, and dramatic sentiment, which he
had vainly sought to bring out in his Italian operas, or in his little
French operettas. But it was not enough to have written a masterpiece
like "La Vestale," it must also be performed. Spontini, favored with the
protection of Josephine, had composed a cantata in honor of the conqueror
of Austerlitz, "l'Eccelsa Gara," sung at the Imperial Theatre on Feb. 8,
1806. The Emperor in return had signed the order for the preparation and
_mise en scène_ of "La Vestale," and the rehearsals were begun. But the
new opera was withdrawn in favor of a certain ballet, "Ulysses," by Milon
and Persuis; then the decorations which had been painted for "La Vestale"
were destroyed by a storm. Finally Napoleon, who never encouraged
Spontini, although he was credited with remarks complimentary to the
latter, decided to bring out first the "Triomphe de Trajan," a grand
opera written in his honor by Esménard, with music by Lesueur, Persuis,
and Kreutzer, and though this opera had proved a great success, thanks to
its rich _mise en scène_, and had left a free field to Spontini, there
was talk of again postponing "La Vestale" in favor of Lesueur's opera,
"La Mort d'Adam." Jouy and Spontini probably would have expostulated
in vain, but that Lesueur's music, happily for them, was not ready at
the necessary moment. Then they were obliged to make all haste with the
rehearsals and bring out "La Vestale," Dec. 15, 1807. The composer was
only thirty-seven years old, when at this auspicious moment he stepped
into the position left vacant by the death of Gluck and the departure of
his successor Salieri.
[Illustration: G. SPONTINI.
Reproduction of a portrait by Vincent.]
Public-domain text, read in full here on John Shaqi.
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