Johann Christoph, the elder brother, was Sebastian's senior by fourteen years. In 1686, he had been sent by his father to Erfurt, in order to enjoy the instruction of Johann Pachelbel, one of the most eminent organ composers of his time. Three years later he betook himself to Arnstadt, where he discharged a portion of the duties belonging to the position of his venerable great-uncle, Heinrich Bach. After the year 1690, he resided in Ohrdruf, in which village he died in 1721. It was soon evident that a higher order of ability than he could boast was required for the proper unfolding of the youthful Sebastian's genius. The jealousy of Johann Christoph was moreover excited by the fact that he saw himself in danger of being cast in the shade by his younger brother, and notwithstanding the burning desire of the boy to obtain them, he withheld from him a collection of organ compositions by the most famous masters, copied by himself. Sebastian thereupon managed to get possession of the manuscripts, which he copied by moonlight--at least, so it is related. In addition to the instruction received at home, he attended the gymnasium in Ohrdruf. At Easter (1700) he left his brother's house and made his way to Lüneburg, accompanied by a friend, Georg Erdmann by name, with whom he continued to hold relations in after years. Both were entered as matins scholars at St. Michael's School in Lüneburg. This institution was especially devoted to the cultivation of music and attracted to itself the youthful talent of Thuringia. Bach was at first enrolled among the discantists, but soon manifested a capacity for so many branches of the musical art that the remuneration received for his services enabled him to remain in the school even after the loss of his soprano voice. Before leaving Lüneburg, in the spring of 1703, he is said to have passed successfully through every class, and to have improved to the utmost every opportunity afforded him, even acquiring some proficiency in the French language, a branch of instruction not yet generally introduced into the German schools. All the more credit is due him for this, because the musical duties of the pupils were manifold and often rendered it impossible for them to pursue, with regularity, any literary or scientific course of study. But Bach was not merely endowed with unusual intellectual gifts; he devoted himself with unflagging perseverance to the accomplishment of his ends. [Illustration: BACH'S BIRTHPLACE AT EISENACH IN THURINGIA. From a photograph by G. Jagemann.]