of French music in all the services conducted in the royal chapel. From
these elements the highly gifted Böhm formed his extremely characteristic
style, and produced such an impression upon Bach that he wrote a number
of still-existing organ compositions, which might easily be mistaken for
the work of the older master. And not only this; he went directly to the
sources from which Böhm had drawn, making repeated pedestrian journeys to
Hamburg and Celle, where he acquired fresh artistic impressions, which he
turned over and over in his mind with unceasing energy.
After the brief course in the elements of music which had been given
him by his brother, Bach had, properly speaking, no second instructor,
nor did he require one. Herein is plainly seen the inestimable boon
conferred upon him by his ancestors, who had so definitely pre-determined
the sphere of his activity that any departure therefrom would have been
scarcely possible. But there must also be taken into account his own
great executive power, and the untiring industry with which he not only
developed his technical skill as clavier, organ and violin player, but
also continued to perfect himself in the art of composition. We learn
from his son that he often worked through the whole night in order to
satisfy his ardent desire for knowledge.
At Easter, 1703, Bach left St. Michael's in order to devote himself
entirely to the profession of music. Had his means permitted, he would
probably have been glad to enter a university, as was then customary
with rising musicians, and as many of his cousins had done before him.
But he was poor and obliged to earn his bread. Returning to Thuringia,
he obtained a situation as organist at the ducal Saxon Court of Weimar,
where, however, he only remained a few months. An organ had recently been
added to the New Church at Arnstadt, and just at this time the instrument
was completed. Notwithstanding his youth, Bach must have already acquired
great fame as an organ player, for he was summoned to try the instrument
and to play upon it on the occasion of its first employment in a church
service. This happened in July, 1703. His performance seems to have made
a profound impression on the citizens of the place and advantageous
offers were made with a view to securing his services as organist for
the New Church. He decided to accept them, severed his connection with
Weimar, and entered upon his new duties on the 14th of August. It was
thus that the boy of eighteen now became an inhabitant of the little
town so especially endeared to him through long family tradition. In
order to convey an idea of the style of living in which artists like
himself were able to indulge at that time, let it be here recorded that
his yearly salary amounted to about fifty-seven dollars. This sum was
so much more than sufficient for his needs, that after a few years he
not only had money enough to spare for a journey of some length, but was
also able to render aid to an indigent cousin.
Public-domain text, read in full here on John Shaqi.
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