Ludwig Spohr, celebrated as a composer and as a violinist, was born on April 25, 1784, at Brunswick. His father, a physician, and his mother both had musical inclinations, the former being a flute player and the latter a pianist and singer. They left Brunswick when Ludwig was two years old and went to Seesen, where the early childhood of the future composer was passed. The boy's musical gifts made themselves known early in life and he sang with his mother when he was only four years old. According to his own story in his autobiography, he began to play the violin without instruction at the age of five. He must have shown some talent, for he was turned over to Herr Riemenschneider for instruction. In a short time he was allowed to practise music with the family in the evenings and with his parents performed trios by Kalkbrenner for violin, flute and piano. About the year 1790 or 1791, Dufour, a French violinist, arrived at Seesen and the boy, having heard him play, did not rest until he became the Frenchman's pupil. Dufour perceived the child's great gifts and persuaded Dr. Spohr to abandon the idea of educating his boy in medicine, and to decide to make a musician of him. While studying with Dufour, Spohr made his first crude attempts at composition, even beginning an opera, which, however, went no further than an overture, a chorus and an aria. Dufour advised that the child be sent to Brunswick to continue his studies. At Brunswick he lived in the house of one Michaelis, a rich baker, and studied the violin under Kunisch, of the Ducal orchestra, and counterpoint under Hartung, an old organist. Hartung was very severe with his young pupil and scratched out so much that the boy felt that none of his ideas were left. However, the ill health of the organist brought the lessons to an end in a few months, and this was all the instruction in theory that Spohr ever received. He now continued his studies by reading scores, which Kunisch obtained for him from the theatre library. He made such progress that he appeared at one of the concerts of the Catherine School with a violin composition of his own. His success was such that he was invited to play at the subscription concerts of the Deutsche Haus and was allowed to play for practice in the theatre orchestra, where he became acquainted with much good music.