The Elector of Hesse-Cassel, unmoved even by a monster petition headed
with the name of Lord Aberdeen, declined to permit Spohr to go to England,
and conduct the "Fall of Babylon" at the Norwich Festival. The oratorio
was produced without his assistance and was highly successful. He went
to England, however, at the beginning of his summer vacation and gave
some profitable concerts. In 1844 he brought forward his last opera, "Die
Kreuzfahrer" ("The Crusaders"). For this he had arranged his own libretto
from a play by Kotzebue. The success of the opera, performed at Cassel
and Berlin, was brief. He made a trip to Paris, where the Conservatoire
orchestra honored him with a special performance of his "Consecration of
Tones." He conducted the "Missa Solemnis" and the Ninth Symphony at the
Beethoven Festival at Bonn, in the same year. In 1847 he again visited
London, when his "Fall of Babylon," "Last Judgment," "Lord's Prayer,"
and Milton's eighty-fourth psalm were presented in three concerts by the
Sacred Harmonic Society. In the same year the twenty-fifth anniversary
of his assumption of the directorship at Cassel was celebrated by a
performance of excerpts from his operas.
The revolutionary events of 1848 interrupted Spohr's flow of compositions.
He felt, as he wrote to his friend Hauptmann, that "the excitement of
politics and the constant reading of newspapers incapacitated him from
giving his attention to any serious and quiet study." In 1849, while
recovering from an illness caused by a fall on the ice, he planned his
ninth symphony, "The Seasons," which he wrote shortly after his recovery.
He went to Breslau in the hope of hearing Schumann's "Genoveva," but
owing to delays heard only some rehearsals. During his two weeks' stay in
Breslau, honors were heaped upon him. Banquets were given, concerts of his
music were arranged, and his opera "Zemire und Azor" was performed at the
theatre. In 1850 he was made to suffer from court malice. The Elector,
probably to chastise him for his radical political ideas, refused him
permission to take a summer vacation. He went away without leave, and the
result was a lawsuit with the managers of the theatre, which after four
years he lost by a technicality.
Public-domain text, read in full here on John Shaqi.
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