declared that posterity would not see such talent as his for the next hundred years. And Rossini at the height of his glory, conscious of his own prodigious natural gifts, pronounced the final judgment so far as this century is concerned: "He is the greatest, he is the master of us all. He is the only one whose genius was as great as his knowledge, and whose knowledge equalled his genius." [Illustration: Signature: Philip Hale] [Illustration: The Graces. Figaro. Magic Flute. Don Giovanni. Religion. FRESCO FROM VIENNA OPERA HOUSE] [Illustration: LUDWIG VAN BEETHOVEN _Reproduction of a life-size portrait by F. A. von Klober (1793-1864) made in 1817. Lithographed by Theo. Neu. This is the best known portrait of the master and the basis for many idealized portraits of later days. At this time Beethoven was in his forty-seventh year and began the composition of the Ninth Symphony, which he finished six years later._] [Illustration: Beethoven] [Illustration] LUDWIG VAN BEETHOVEN [Illustration] The town of Louvain, in Belgium, is now a dull place, with a Hôtel de Ville, Gothic church, detestable beer, and about 34,000 inhabitants. In the 14th century it was the capital of the Duchy of Brabant, the residence of the princes, the home of 2,000 manufactories. Near this city, whose ruin was wrought by turbulent weavers, are villages called Rotselaer, Leefdæl, and Berthem; and in the 16th century people by the name of Van Beethoven were found in these same villages or hard by. If Léon de Burbure's researches are not in vain, these Van Beethovens were simple Flemish peasants, who ate beans during the week, and on a Sunday welcomed the sight of bacon. _Van_ is not in Dutch a sign of nobility. Nor was the spelling of the name invariable. It was Biethoven, Biethoffen, Bethof, Betthoven; and there were other variations.