“Good. I will tell you what I think of it and whether it pleases me as
much as it pleases you. Let me say that I think very little of the music
of young men who win the Prix de Rome. They only know how to imitate the
faults of the masters they study. However, we shall see.”
And Pasdeloup quitted Massenet with an air of utter dissatisfaction.
The young composer hastened home and told his family of the interview
and of the faint hope he cherished that his suite might possibly be
performed at the famous Popular Concerts. He then rolled up his score,
took it to Pasdeloup’s residence, and left it with the concierge. Ten
days later Massenet received, by post, a gift which filled him with
equal joy and surprise. It was a ticket admitting him to a rehearsal. He
was invited to the Cirque d’Hiver, where the Popular Concerts were
given, to hear a rehearsal of his orchestral suite.
Next day, full of excitement, he set out for the rehearsal. On arriving
at the door, however, he had not sufficient courage to enter, so
overcome was he by his emotions. “Perhaps,” thought he, “the orchestral
effect may not be what I intended,” and he felt that he had not strength
to brave the severe criticisms of Pasdeloup and the jeers of the members
of the orchestra.
Massenet returned home without having dared to listen to the rehearsal
of his work and wholly discontented with himself. He called himself a
coward and a pretender, and as he passed along the boulevard, his eye
mechanically seeking the announcement of the performances at the
theatres and concerts, he was suddenly astounded to see his own name on
the programme of the Pasdeloup Concert to be given on the following
Sunday. They were really going to play his suite! He ran rather than
walked home to announce the glorious news.
“They play—my suite—Sunday—Popular Concert!—Oh! how my heart beats!”
And the great composer, as the memory of the beginning of his musical
career came back to him, bowed his head on my breast and burst into
tears. I wept with him.
“Ah!” said he, “I was happier then than I am to-day. Anticipation is
better than the reality.”
[Illustration:
MASSENET IN HIS STUDY.
Reproduced from a photograph from life made by Dornac & Co., Paris,
1891.
]
Public-domain text, read in full here on John Shaqi.
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