Gounod, the greatest living musician of France is descended from a
family of artists. His grandfather, a very distinguished enchaser, bore
the title of “sword cutler to the king,” and as such occupied an
apartment in the Louvre buildings, a favor which was granted to only
artists of renown. His son, Jean François Gounod, who was born about
1760, was a painter of considerable talent. He was a pupil of Lépicié,
and he and Carle Vernet, who occupied the same studio, competed at the
Académie des Beaux-Arts for the “Prix de Rome.” Carle Vernet obtained
the first prize at this concours in 1782, and Jean François Gounod
carried off the second in 1783. The latter, however, devoted himself
especially to engraving, in order that he might always live with his
father who was getting old and needed all his care and attention.
J. F. Gounod was serious, melancholy and quite original in character, as
was shown by his conduct on the death of his father, who lived to be
over ninety years of age. This loss was a great grief to him, and in the
hope of diverting his mind and driving off melancholy, he undertook a
tramp to Versailles. He had very little money in his pocket. However,
being fatigued by his journey he entered a public house and went to bed.
He remained several days at Versailles, but, far from being relieved of
his sad thoughts, he was so overwhelmed by them that he dreaded to
return to his rooms in the Louvre, where he had witnessed his father
breathe his last. He wrote to a friend to say that he should not return
to Paris, but intended to start immediately for Italy; he begged him to
go to his room, take from his secretary all the money he might find
there, and bring it to him at Versailles, receiving at the same time his
adieux. Once in possession of his money, Gounod, who disliked
encumbrance of any sort, furnished himself with a light carpet bag, and
with this baggage set off on a journey which was at that time very long
and very difficult. He travelled all over Italy, remaining there four or
five years; then he returned to Paris, and to his rooms where nothing
had been disturbed, and resumed work as if he had left it only the
evening before.
Public-domain text, read in full here on John Shaqi.
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