He was soon apprenticed to his uncle, Juan del Castillo, who taught him
carefully all the details of his art,--correct drawing, how to prepare
canvas, mix colors, and study patiently. The lad was very industrious,
eager to learn, extremely gentle and amiable, and soon attached himself
to both teacher and pupils.
From this it is easy to judge that he had had a lovely mother, one who
encouraged, who preserved a sweet nature in her son because sweet
herself. How often have I seen a parent lose the confidence of a child
by too often reproving, by over-criticism, by disparagement! Praise
seldom harms anybody. We usually receive and give too little
commendation all our lives.
One of my most precious memories is the fact that my widowed mother made
it her life-rule not to find fault with her two children. She loved us
into obedience. She told us her wishes and her hopes for us, and the
smile with which she spoke lingers in my heart like an exquisite
picture. Long ago I learned that no home ever had too much love in it.
For nine years the Spanish lad worked in his uncle's studio, studying
nature as well as art, as shown in his inimitable "Beggar Boys" and
other dwellers in the streets of Seville. When he was twenty, he painted
two Madonnas, "The Virgin with St. Francis," for the Convent of Regina
Angelorum, and the "Virgin del Rosario with San Domingo," for the Church
of St. Thomas.
It was natural that the young artist, loving the Catholic faith, should
paint as one of his first pictures the "Story of the Rosary." Mrs.
Jameson, in her "Legends of the Monastic Orders," thus gives the history
of St. Dominick: "His father was of the illustrious family of Guzman.
His mother, Joanna d'Aza, was also of noble birth.... Such was his early
predilection for a life of penance that when he was only six or seven
years old he would get out of his bed to lie on the cold earth. His
parents sent him to study theology in the university of Valencia, and he
assumed the habit of a canon of St. Augustine at a very early age.
"Many stories are related of his youthful piety, his self-inflicted
austerities, and his charity. One day he met a poor woman weeping
bitterly, and when he inquired the cause she told him that her only
brother, her sole stay and support in the world, had been carried into
captivity by the Moors. Dominick could not ransom her brother; he had
given away all his money, and even sold his books, to relieve the poor;
but he offered all he could,--he offered up himself to be exchanged as a
slave in place of her brother. The woman, astonished at such a proposal,
fell upon her knees before him. She refused his offer, but she spread
the fame of the young priest far and wide....
Public-domain text, read in full here on John Shaqi.
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