"Far above houses and palaces, far above the huge cathedral itself,
soars the beautiful Giralda, its color a pale pink, incrusted all over
with delicate Moorish ornament, so high that its detail is quite lost as
you gaze upward; so large that you may easily ride on horseback to the
summit, up the broad roadway in the interior....
"In the interior everything is vast, down to the Paschal candle, placed
in a candlestick twenty-five feet high, and weighing twenty-five hundred
pounds, of wax, while the expenditure of the chapter may be estimated by
the fact that eighteen thousand seven hundred and fifty litres of wine
are consumed annually in the sacrament. Of the ninety-three stained
windows many are old and splendid. Their light is undimmed by curtains,
for there is an Andalusian proverb that the ray of the sun has no power
to injure within the bounds in which the voice of prayer can be heard.
In the centre of the nave, near the west door, surrounded by sculptured
caravelas, the primitive ships by which the New World was discovered, is
the tomb of Ferdinand Columbus, son of the great navigator (who himself
rests in Havanna), inscribed,--
"'A CASTILLA Y Á LEON
MUNDO NUEVO DIO COLON.'
At the opposite end of the church is the royal chapel, where St.
Ferdinand, who was canonized in 1627, 'because he carried fagots with
his own hands for the burning of heretics,' rests beneath the altar, in
a silver sarcophagus. Here also are his Queen, Beatrix, his son Alonzo
el Sabio, father of our Queen Eleanor, and Maria de Padilla, the
beautiful Morganatic wife of Pedro the Cruel....
"Many of the services in this church reach a degree of splendor which is
only equalled by those of St. Peter's; and the two organs, whose
gigantic pipes have been compared to the columns of Fingal's Cave, peal
forth magnificently. But one ceremony, at least, is far more fantastic
than anything at Rome."
Frances Elliot, in her "Diary of an Idle Woman in Spain," thus describes
this remarkable ceremony: "To the left, within the bars, I am conscious
of the presence of a band of stringed instruments,--not only violins and
counter-bass, but flutes, flageolets, and hautboys, even a serpent, as
they call a quaint instrument associated with my earliest years,
forthwith all beginning to play in a most ancient and most homely way,
for all the world like a simple village choir, bringing a twang of damp,
mouldy, country churches to my mind, sunny English afternoons, and odors
of lavender and southern-wood.
"As they play--these skilled musicians--a sound of youthful voices comes
gathering in, fresh, shrill, and childlike, rising and falling to the
rhythm.
"All at once the music grows strangely passionate, the voices and the
stringed instruments seem to heave and sigh in tender accents,
long-drawn notes and sobs wail out melodious cries for mercy and
invocations for pardon, growing louder and intenser each moment.
Public-domain text, read in full here on John Shaqi.
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