Shelley wrote concerning this work, "Standing before the picture of St.
Cecilia, you forget that it is a picture as you look at it, and yet it
is most unlike any of those things which we call reality. It is of the
inspired and ideal kind, and seems to have been conceived and executed
in a similar state of feeling to that which produced among the ancients
those perfect specimens of poetry and sculpture which are the baffling
models of succeeding generations. There is a unity and a perfection in
it of an incommunicable kind. The central figure, St. Cecilia, seems
wrapt in such inspiration as produced her image in the painter's mind;
her deep, dark, eloquent eyes lifted up, her chestnut hair flung back
from her forehead: she holds an organ in her hands; her countenance, as
it were, calmed by the depth of her passion and rapture, and penetrated
throughout with the warm and radiant light of life. She is listening to
the music of heaven, and, as I imagine, has just ceased to sing, for the
four figures that surround her evidently point, by their attitudes,
towards her, particularly St. John, who, with a tender, yet impassioned
gesture, bends his countenance towards her, languid with the depth of
his emotion. At her feet lie various instruments of music, broken and
unstrung. Of the coloring I do not speak; it eclipses Nature, yet it has
all her truth and softness."
Raphael was now loaded with honors. Henry VIII. urged him to visit
England and become attached to his court. Francis I. was eager to make
him court painter of France. Often the artist shut himself up in his
palace, and applied himself so closely to his books and pictures that
people said he was melancholy. He was so deeply interested in history
that he thought of writing some historical works. He had planned and
partially completed a book on ancient Rome, which should reproduce to
the world the city in its former grandeur. He left a manuscript on art
and artists, which Vasari found most valuable in his biographies. He
sent artists into all the neighboring countries to collect studies from
the antique. He loved poetry and philosophy.
Public-domain text, read in full here on John Shaqi.
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