Mr. C. Kegan Paul, the London publisher, was staying at the home of the
Kingsleys when much of "Hypatia" was written. "I was struck," he says,
speaking of the author, "not only with his power of work, but with the
extraordinary pains he took to be accurate in detail. We spent one whole
day in searching the four folio volumes of Synesius for a fact he
thought was there, and which was found there at last." "When I have done
'Hypatia,'" he writes Mr. Ludlow, "I will write no more novels. I will
write poetry--not as a profession, but I will keep myself for it; and I
do think I shall do something that will live. I feel my strong faculty
is that sense of _form_, which, till I took to poetry, always came out
in drawing, drawing; but poetry is the true sphere, combining painting
and music and history all in one."
"At that time," says a friend, "in his books and pamphlets, and often in
his daily, familiar speech, he was pouring out the whole force of his
eager, passionate heart in wrath and indignation against starvation
wages, stifling workshops, reeking alleys, careless landlords, roofless
and crowded cottages.... No human being but was sure of a patient,
interested hearer in him. I have seen him seat himself, hatless, beside
a tramp on the grass outside of his gate in his eagerness to catch
exactly what he had to say, searching him, as they sat, in his keen,
kindly way with question and look."
About the time of the opening of the Great Exhibition, so dear to the
heart of the noble Prince Albert, Kingsley was asked to preach a sermon
to workingmen in a London church near by, which he did with great
sympathy and tenderness. Just as the blessing was to be pronounced, the
clergyman who had invited Kingsley rose and remarked that it was his
painful duty to say that he believed much of what Mr. Kingsley had said
"was dangerous and untrue."
Kingsley, wounded beyond expression, quietly left the church, and a riot
of the workmen was with difficulty prevented. That night in his sadness
and exhaustion he wrote that immortal song of the "Three Fishers," which
seemed to soothe and rest him.
"Three fishers went sailing out into the west,
Out into the west as the sun went down:
Each thought of the woman who loved him the best,
And the children stood watching them out of the town;
For men must work and women must weep,
And there's little to earn, and many to keep,
Though the harbor bar be moaning.
Three wives sat up in the lighthouse tower,
And they trimmed the lamps as the sun went down;
They looked at the squall, and they looked at the shower,
And the night-rack came rolling up ragged and brown.
But men must work and women must weep,
Though storms be sudden and waters deep,
And the harbor bar be moaning.
Public-domain text, read in full here on John Shaqi.
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