With this fondness for science, Morse showed a decided ability in art.
He took pictures of his classmates, at one dollar each, and miniatures
on ivory at five dollars each, thus helping to pay his expenses. The
price charged was very low, but possibly it was all the pictures were
worth, for as yet he had never taken a lesson.
Long before his college course was at an end, he had decided to become a
painter, probably much against the unspoken wishes of his parents, who
must have felt that poverty would be his companion, for some years, at
best.
On going home to Charlestown, he attended a course of anatomical and
surgical lectures in Boston. Washington Allston, then at the head of his
profession in America, had spent two years in Boston, and was about to
return to Europe. Morse went with him and took lodgings in London. At
once he wrote home, "I only wish you had this letter now to relieve your
minds from anxiety, for while I am writing I can imagine mother wishing
that she could hear of my arrival, and thinking of thousands of
accidents which may have befallen me. I _wish that in an instant I could
communicate the information; but three thousand miles are not passed
over in an instant, and we must wait four long weeks before we can hear
from each other_."
On the outside of this letter, yellow with age, he wrote toward the end
of his life, "LONGING FOR A TELEGRAPH EVEN IN THIS LETTER."
In London he soon met Benjamin West, born in Springfield, Penn., then at
the head of the Royal Academy in England. He had been poor and obscure;
now he was distinguished, and courted even by royalty. Morse, ever
ambitious, soon arranged to study under West, and became his devoted
admirer. He wrote home: "Mr. West is in his seventy-fourth year, but to
see him you would suppose him only about five-and-forty.... He expressed
great attachment to his native country, and he told me, as a proof of
it, he presented them with this large picture ('Christ Healing the
Sick'). I walked through his gallery of paintings of his own production.
There were upwards of two hundred, consisting principally of the
original sketches of his large pieces. He has painted in all upward of
six hundred pictures, which is more than any artist ever did, with the
exception of Rubens. Mr. West is so industrious now that it is hard to
get access to him, and then only between the hours of nine and ten in
the morning. He is working on eight or nine different pieces at
present, and seems to be more enthusiastic than he ever was before....
No man, perhaps, ever passed through so much abuse, and I am confident
no one ever bore up against its insolence with more nobleness of spirit.
With a steady perseverance in the pursuit of the sublimest profession,
he has travelled on, heedless of his enemies, till he is sure of
immortality.
Public-domain text, read in full here on John Shaqi.
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