"'Ten dollars would save my life; that is all it would do.' "I paid the money, all that I had, and we dined together. It was a modest meal, but good, and, after he had finished, he said: 'This is my first meal in twenty-four hours. Strother, don't be an artist. It means beggary. Your life depends upon people who know nothing of your art, and care nothing for you. A house-dog lives better, and the very sensitiveness that stimulates an artist to work keeps him alive to suffering.'" Even the janitor of the University building said to a young man who was looking for a studio for himself: "You will have an artist for your neighbor, though he is not here much of late; he seems to be getting rather shiftless, he is wasting his time over some silly invention, a machine by which he expects to send messages from one place to another. He is a very good painter, and might do well if he would only stick to his business; but, Lord!" he added, with a sneer of contempt, "the idea of telling by a little streak of lightning what a body is saying at the other end of it!" "Judge of my astonishment," says the young man, "when he informed me that the 'shiftless individual,' whose foolish waste of time so much excited his commiseration, was none other than the president of the National Academy of Design,--the most exalted position, in my youthful artistic fancy, it was possible for mortal to attain." Once more, in some way, Morse obtained the money to go to Washington, and make another effort. December 30, 1842, a bill was at last submitted, asking for the thirty-thousand-dollar appropriation. It received much ridicule from some of the members. One suggested that there should be an appropriation for mesmeric experiments; another suggested the same for Millerism. At last the vote was taken in the House, Morse sitting in the gallery watching the result with feverish anxiety. The vote stood 89 yeas to 83 nays. IT WAS CARRIED. Would it pass the Senate? The amount of business to be transacted made its coming up improbable. The last day of the session came. Morse sat all the day and evening in the gallery, and finally went to his hotel, nearly prostrated from disappointment. In the morning, as he came down to breakfast, Annie G. Ellsworth, the daughter of his old friend, the Commissioner of Patents, came toward him with a bright smile, saying: "I have come to congratulate you!" "For what, my dear friend?" "On the passage of your bill." Morse could scarcely believe the good news, that the bill had passed, in the last moments of the session, without opposition. He was nearly overcome with joy, and told the young lady that she should send the first message over the first line.