But nothing of this did Mr. King say. With his better light he was
trying to penetrate the mystery of the man's death. That he had not once
moved from the corner where he had been stationed; that his posture was
that of neither attack nor defense; that he had dropped his weapon; that
he had obviously perished of sheer horror of something that he
_saw_--these were circumstances which Mr. King's disturbed intelligence
could not rightly comprehend.
Groping in intellectual darkness for a clew to his maze of doubt, his
gaze, directed mechanically downward in the way of one who ponders
momentous matters, fell upon something which, there, in the light of day
and in the presence of living companions, affected him with terror. In
the dust of years that lay thick upon the floor--leading from the door
by which they had entered, straight across the room to within a yard of
Manton's crouching corpse--were three parallel lines of
footprints--light but definite impressions of bare feet, the outer ones
those of small children, the inner a woman's. From the point at which
they ended they did not return; they pointed all one way. Brewer, who
had observed them at the same moment, was leaning forward in an attitude
of rapt attention, horribly pale.
"Look at that!" he cried, pointing with both hands at the nearest print
of the woman's right foot, where she had apparently stopped and stood.
"The middle toe is missing--it was Gertrude!"
Gertrude was the late Mrs. Manton, sister to Mr. Brewer.
The Shell of Sense
BY OLIVIA HOWARD DUNBAR
From Harper's Magazine, December, 1908. By permission of Harper and
Brothers and Olivia Howard Dunbar.
It was intolerably unchanged, the dim, dark-toned room. In an agony of
recognition my glance ran from one to another of the comfortable,
familiar things that my earthly life had been passed among. Incredibly
distant from it all as I essentially was. I noted sharply that the very
gaps that I myself had left in my bookshelves still stood unfilled; that
the delicate fingers of the ferns that I had tended were still stretched
futilely toward the light; that the soft agreeable chuckle of my own
little clock, like some elderly woman with whom conversation has become
automatic, was undiminished.
Public-domain text, read in full here on John Shaqi.
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