“The crickets of Miss C----’s studio days were considered such a
curiosity that she had letters from California and all over the
country, asking about them and the care of them. Her end and aim was
to raise crickets from the eggs, laid in glass globes in the studio,
that would sing in the winter, when all the summer crickets were
frozen up in the fields, beneath the snow; crickets to sing to her all
through the long winter nights, when the wind would be howling down the
chimney, and the sleet beating against the windows.
“Years and years gave no success, beyond a few, that were sure to
die before the end of January; but at last, just the winter before
she married, there was one sweet singer which made music for her all
winter long, and which she trained to sing in the ruffle of her neck.
Better yet, it liked to sit and sing in the ruffle at her left wrist,
while the hand kept very quiet, holding the mahl-stick at the easel.
Meanwhile, Toodles, the immense maltese trained cat, would sing an
accompaniment from the rug before the open grate fire.”
Now is not that a picture of cheery cosiness and comfort! I trust the
lady will pardon her separation from other artists and their pets, in
consideration of the pleasant glow her open studio door lets shine upon
the Odd Set.
[Illustration: Helix Desertorum]
Who would ever think of a snail becoming famous? Such is the case,
however; and in the Museum of Natural History, at South Kensington, the
very hero may be seen of whom we write. Also his portrait, together
with his story, enlivens the pages of Dr. Woodward’s Manual of the
Mollusca, under the heading of _Helix Desertorum_. He was brought with
other specimens, in 1846, from Egypt; and having so withdrawn into his
shelly house that it seemed empty, was gummed to a piece of cardboard,
numbered, named, and placed in the museum. Here he lay for four years,
in a kind of Rip Van Winkle slumber, his very existence unknown, until
in 1850 he woke, and tried to walk off from the card. But to do this,
he must have abandoned his well-gummed house, and such a sacrifice
was not to be thought of. So he snoozed again, until an inquisitive
scientist noticed his footprints, immersed him in warm water, and thus
at length released him from “durance vile.” His picture was drawn, his
history noted, and then--no higher distinction being possible for a
snail--he was disposed of, let us say. He ceased to be, and only his
shell remains.
Public-domain text, read in full here on John Shaqi.
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