Hilda Clark comes of an old Southern family, several of whose members
won military distinction. An ancestor of hers, Colonel Winston, was
awarded a sword by Congress for his services in the Revolutionary War.
Her great-grandfather, General Winston, was distinguished in the war of
1812, while several of her relatives were noted for gallantry during the
Civil War. Miss Clark was born in Leavenworth, Kansas, in the early
seventies. When her father, who was a banker, died, the family removed
to Boston, where Miss Clark was educated. As she grew into womanhood,
her voice attracted the attention of her friends, and by their advice
she went to Europe, where she studied music for two years. On her return
to this country she became the soprano of St. Mark's Church in New York
City, and it was there that Willard Spenser, the composer of "The
Princess Bonnie," first heard her sing.
Miss Clark's voice is what is technically known as a soprano legere, and
while she excels in floria music, her voice has considerable of that
rare sympathetic quality possessed by coloratura singers. Her work in
the theatre may be summed up in a few words. She made her debut in the
title role of "The Princess Bonnie" in September, 1895. After that she
accepted the offer of The Bostonians, with whom she appeared for a
season. In "The Serenade" she alternated in the role of Yvonne, the
ballet dancer, with Alice Nielsen, and she also sung Maid Marian in
"Robin Hood" and Arline in "The Bohemian Girl." Next she was engaged by
Klaw and Erlanger. She created the part of Lady Constance in "The
Highwayman" after Camille D'Arville, who was expected to take the
character, had quarrelled with the stage manager over some detail in the
action, and refused to have anything more to do with the opera. Miss
Clark was quite successful in this character, and it may be said to have
established her firmly in the ranks of the light opera prima donnas.
Next came her appearance in the prima donna role of John Philip Sousa's
opera "The Bride Elect," in which she is best known by the general
public.
Public-domain text, read in full here on John Shaqi.
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