Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
History
Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
Books -- Reviews; Criticism; English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
Shakespeare has had neither equal nor second. But among the writers who,
in the point which we have noticed, have approached nearest to the
manner of the great master, we have no hesitation in placing Jane
Austen, a woman of whom England is justly proud. She has given us a
multitude of characters, all, in a certain sense, commonplace, all such
as we meet every day. Yet they are all as perfectly discriminated from
each other as if they were the most eccentric of human beings. There
are, for example, four clergymen, none of whom we should be surprised to
find in any parsonage in the kingdom, Mr. Edward Ferrars, Mr. Henry
Tilney, Mr. Edmund Bertram, and Mr. Elton. They are all specimens of the
upper part of the middle class. They have all been liberally educated.
They all lie under the restraints of the same sacred profession. They
are all young. They are all in love. Not one of them has any hobbyhorse,
to use the phrase of Sterne. Not one has a ruling passion, such as we
read of in Pope. Who would not have expected them to be insipid
likenesses of each other? No such thing. Harpagon is not more unlike to
Jourdain, Joseph Surface is not more unlike to Sir Lucius O'Trigger,
than every one of Miss Austen's young divines to all his reverend
brethren. And almost all this is done by touches so delicate, that they
elude analysis, that they defy the powers of description, and that we
know them to exist only by the general effect to which they have
contributed.
A line must be drawn, we conceive, between artists of this class, and
those poets and novelists whose skill lies in the exhibiting of what Ben
Jonson called humours. The words of Ben are so much to the purpose, that
we will quote them--
When some one peculiar quality
Doth so possess a man, that it doth draw
All his affects, his spirits, and his powers,
In their confluxions all to run one way,
This may be truly said to be a humour.
There are undoubtedly persons, in whom humours such as Ben describes
have attained a complete ascendency. The avarice of Elwes, the insane
desire of Sir Egerton Brydges for a barony to which he had no more right
than to the crown of Spain, the malevolence which long meditation on
imaginary wrongs generated in the gloomy mind of Bellingham, are
instances. The feeling which animated Clarkson and other virtuous men
against the slave-trade and slavery, is an instance of a more honourable
kind.
Public-domain text, read in full here on John Shaqi.
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