Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
History
Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
Books -- Reviews; Criticism; English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
We venture to hope, that there is now an end of this folly; and that,
like other follies, it will be found to have cured itself by the
extravagances resulting from its unbridled indulgence. In this point of
view, the publication of the volumes before us may ultimately be of
service to the good cause of literature. Many a generous rebel, it is
said, has been reclaimed to his allegiance by the spectacle of lawless
outrage and excess presented in the conduct of the insurgents; and we
think there is every reason to hope, that the lamentable consequences
which have resulted from Mr. Wordsworth's open violation of the
established laws of poetry, will operate as a wholesome warning to those
who might otherwise have been seduced by his example, and be the means
of restoring to that antient and venerable code its due honour and
authority.
ON MATURIN'S "MELMOTH"
[From _The Edinburgh Review_, July, 1821]
_Melmoth, the Wanderer_. 4 vols. By the Author of _Bertram_. Constable &
Co. Edinburgh, 1820.
It was said, we remember, of Dr. Darwin's Botanic Garden--that it was
the sacrifice of Genius in the Temple of False Taste; and the remark may
be applied to the work before us, with the qualifying clause, that in
this instance the Genius is less obvious, and the false taste more
glaring. No writer of good judgment would have attempted to revive the
defunct horrors of Mrs. Radcliffe's School of Romance, or the demoniacal
incarnations of Mr. Lewis: But, as if he were determined not to be
arraigned for a single error only, Mr. Maturin has contrived to render
his production almost as objectionable in the manner as it is in the
matter. The construction of his story, which is singularly clumsy and
inartificial, we have no intention to analyze:--many will probably have
perused the work, before our review reaches them; and to those who have
not, it may be sufficient to announce, that the imagination of the
author runs riot, even beyond the usual license of romance;--that his
hero is a modern Faustus, who has bartered his soul with the powers of
darkness for protracted life, and unlimited worldly enjoyment;--his
heroine, a species of insular goddess, a virgin Calypso of the Indian
ocean, who, amid flowers and foliage, lives upon figs and tamarinds;
associates with peacocks, loxias and monkeys; is worshipped by the
occasional visitants of her island; finds her way to Spain, where she is
married to the aforesaid hero by the hand of a dead hermit, the ghost of
a murdered domestic being the witness of their nuptials; and finally
dies in the dungeons of the Inquisition at Madrid!--To complete this
phantasmagoric exhibition, we are presented with sybils and misers;
parricides; maniacs in abundance; monks with scourges pursuing a naked
youth streaming with blood; subterranean Jews surrounded by the
skeletons of their wives and children; lovers blasted by lightning;
Irish hags, Spanish grandees, shipwrecks, caverns, Donna Claras and
Public-domain text, read in full here on John Shaqi.
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