Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
History
Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
Books -- Reviews; Criticism; English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
We have said that Mr. Maturin had contrived to render his work as
objectionable in the matter as in the manner; and we proceed to the
confirmation of our assertion. We do not arraign him solely for the
occasional indecorousness of his conceptions, or the more offensive tone
of some of his colloquies, attempted to be palliated by the flimsy plea,
that they are, appropriate in the mouths that utter them. Dr. Johnson,
as a proof of the total suppression of the reasoning faculty in dreams,
used to cite one of his own, wherein he imagined himself to be holding
an argument with an adversary, whose superior powers filled him with a
mortification which a moment's reflection would have dissipated, by
reminding him that he himself supplied the repartees of his opponent as
well as his own. In his waking dreams, Mr. Maturin is equally the parent
of all the parties who figure in his Romance; and, though not personally
responsible for their sentiments, he is amenable to the bar of criticism
for every phrase or thought which transgresses the bounds of decorum, or
violates the laws that regulate the habitual intercourse of polished
society. It is no defence to say, that profane or gross language is
natural to the characters whom he embodies. Why does he select such? It
may be proper in them; but what can make it proper to us? There are
wretches who never open their lips but to blaspheme; but would any
author think himself justified in filling his page with their
abominations? It betrays a lamentable deficiency of tact and judgment,
to imagine, as the author of Melmoth appears to do, that he may seize
upon nature in her most unhallowed or disgusting moods, and dangle her
in the eyes of a decorous and civilized community. We shall not stop to
stigmatize, as it deserves, the wild and flagrant calumnies which he
insinuates against three-fourths of his countrymen, by raking in the
long-forgotten rubbish of Popery for extinct enormities, which he
exaggerates as the inevitable result, rather than the casual abuse of
the system, and brands with an intolerant zeal, quite as uncharitable as
that which he condemns. These faults are either so peculiar to the
individual, or in their nature so obviously indefensible, as to repel
rather than invite imitation. But there is another peculiarity in the
productions of this gentleman which claims a more detailed notice,
because it seems likely to have extensive effects in corrupting others:
--we mean his taste for horrible and revolting subjects. We thought we
had supped full of this commodity; but it seems as if the most ghastly
and disgusting portion of the meal was reserved for the present day, and
its most hideous concoction for the writer before us,--who is never so
much in his favourite element as when he can "on horror's head horrors
accumulate." He assimilates the sluggish sympathies of his readers to
those of sailors and vulgar ballad readers, who cannot be excited to an
Public-domain text, read in full here on John Shaqi.
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