Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
History
Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
Books -- Reviews; Criticism; English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
The hero no longer defeated armies by his single sword, clove giants to
the chine, or gained kingdoms. But he was expected to go through perils
by sea and land, to be steeped in poverty, to be tried by temptation, to
be exposed to the alternate vicissitudes of adversity and prosperity,
and his life was a troubled scene of suffering and achievement. Few
novelists, indeed, adventured to deny to the hero his final hour of
tranquillity and happiness, though it was the prevailing fashion never
to relieve him out of his last and most dreadful distress until the
finishing chapters of his history; so that although his prosperity in
the record of his life was short, we were bound to believe it was long
and uninterrupted when the author had done with him. The heroine was
usually condemned to equal hardships and hazards. She was regularly
exposed to being forcibly carried off like a Sabine virgin by some
frantic admirer. And even if she escaped the terrors of masked ruffians,
an insidious ravisher, a cloak wrapped forcibly around her head, and a
coach with the blinds up driving she could not conjecture whither, she
had still her share of wandering, of poverty, of obloquy, of seclusion,
and of imprisonment, and was frequently extended upon a bed of sickness,
and reduced to her last shilling before the author condescended to
shield her from persecution. In all these dread contingencies the mind
of the reader was expected to sympathize, since by incidents so much
beyond the bounds of his ordinary experience, his wonder and interest
ought at once to be excited. But gradually he became familiar with the
land of fiction, the adventures of which he assimilated not with those
of real life, but with each other. Let the distress of the hero or
heroine be ever so great, the reader reposed an imperturbable confidence
in the talents of the author, who, as he had plunged them into distress,
would in his own good time, and when things, as Tony Lumkin says, were
in a concatenation accordingly, bring his favourites out of all their
troubles. Mr. Crabbe has expressed his own and our feelings excellently
on this subject.
For should we grant these beauties all endure
Severest pangs, they've still the speediest cure;
Before one charm be withered from the face,
Except the bloom which shall again have place,
In wedlock ends each wish, in triumph all disgrace.
And life to come, we fairly may suppose,
One light bright contrast to these wild dark woes.
Public-domain text, read in full here on John Shaqi.
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