Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
History
Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
Books -- Reviews; Criticism; English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
In adventuring upon this task, the author makes obvious sacrifices, and
encounters peculiar difficulty. He who paints from _le beau idéal_, if
his scenes and sentiments are striking and interesting, is in a great
measure exempted from the difficult task of reconciling them with the
ordinary probabilities of life: but he who paints a scene of common
occurrence, places his composition within that extensive range of
criticism which general experience offers to every reader. The
resemblance of a statue of Hercules we must take on the artist's
judgment; but every one can criticize that which is presented as the
portrait of a friend, or neighbour. Something more than a mere sign-post
likeness is also demanded. The portrait must have spirit and character,
as well as resemblance; and being deprived of all that, according to
Bayes, goes "to elevate and surprize," it must make amends by displaying
depth of knowledge and dexterity of execution. We, therefore, bestow no
mean compliment upon the author of _Emma_, when we say that, keeping
close to common incidents, and to such characters as occupy the ordinary
walks of life, she has produced sketches of such spirit and originality,
that we never miss the excitation which depends upon a narrative of
uncommon events, arising from the consideration of minds, manners and
sentiments, greatly above our own. In this class she stands almost
alone; for the scenes of Miss Edgeworth are laid in higher life, varied
by more romantic incident, and by her remarkable power of embodying and
illustrating national character. But the author of _Emma_ confines
herself chiefly to the middling classes of society; her most
distinguished characters do not rise greatly above well-bred country
gentlemen and ladies; and those which are sketched with most originality
and precision, belong to a class rather below that standard. The
narrative of all her novels is composed of such common occurrences as
may have fallen under the observation of most folks; and her dramatis
personae conduct themselves upon the motives and principles which the
readers may recognize as ruling their own and that of most of their
acquaintances. The kind of moral, also, which these novels inculcate,
applies equally to the paths of common life, as will best appear from a
short notice of the author's former works, with a more full abstract of
that which we at present have under consideration.
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