Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
History
Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
Books -- Reviews; Criticism; English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
In these conjugal machinations Emma is frequently interrupted, not only
by the cautions of her father, who had a particular objection to any
body committing the rash act of matrimony, but also by the sturdy
reproof and remonstrances of Mr. Knightley, the elder brother of her
sister's husband, a sensible country gentleman of thirty-five, who had
known Emma from her cradle, and was the only person who ventured to find
fault with her. In spite, however, of his censure and warning, Emma lays
a plan of marrying Harriet Smith to the vicar; and though she succeeds
perfectly in diverting her simple friend's thoughts from an honest
farmer who had made her a very suitable offer, and in flattering her
into a passion for Mr. Elton, yet, on the other hand, that conceited
divine totally mistakes the nature of the encouragement held out to him,
and attributes the favour which he found in Miss Woodhouse's eyes to a
lurking affection on her own part. This at length encourages him to a
presumptuous declaration of his sentiments; upon receiving a repulse, he
looks abroad elsewhere, and enriches the Highbury society by uniting
himself to a dashing young woman with as many thousands as are usually
called ten, and a corresponding quantity of presumption and ill
breeding.
While Emma is thus vainly engaged in forging wedlock-fetters for others,
her friends have views of the same kind upon her, in favour of a son of
Mr. Weston by a former marriage, who bears the name, lives under the
patronage, and is to inherit the fortune of a rich uncle. Unfortunately
Mr. Frank Churchill had already settled his affections on Miss Jane
Fairfax, a young lady of reduced fortune; but as this was a concealed
affair, Emma, when Mr. Churchill first appears on the stage, has some
thoughts of being in love with him herself; speedily, however,
recovering from that dangerous propensity, she is disposed to confer him
upon her deserted friend Harriet Smith. Harriet has in the interim,
fallen desperately in love with Mr. Knightley, the sturdy, advice-giving
bachelor; and, as all the village supposes Frank Churchill and Emma to
be attached to each other, there are cross purposes enough (were the
novel of a more romantic cast) for cutting half the men's throats and
breaking all the women's hearts. But at Highbury Cupid walks decorously,
and with good discretion, bearing his torch under a lanthorn, instead of
flourishing it around to set the house on fire. All these entanglements
bring on only a train of mistakes and embarrassing situations, and
dialogues at balls and parties of pleasure, in which the author displays
her peculiar powers of humour and knowledge of human life. The plot is
extricated with great simplicity. The aunt of Frank Churchill dies; his
uncle, no longer under her baneful influence, consents to his marriage
with Jane Fairfax. Mr. Knightley and Emma are led, by this unexpected
incident, to discover that they had been in love with each other all
along. Mr.
Public-domain text, read in full here on John Shaqi.
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