Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
History
Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
Books -- Reviews; Criticism; English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
individually, are as false generally as the accidental deformities which
vary the average outline of the human figure. They would be as much out
of place in a fictitious narrative, as a wen in an academic model. But
any _direct_ attempt at moral teaching, and any attempt whatever to give
scientific information will, we fear, unless managed with the utmost
discretion, interfere with what, after all, is the immediate and
peculiar object of the novelist, as of the poet, _to please_. If
instruction do not join as a volunteer, she will do no good service.
Miss Edgeworth's novels put us in mind of those clocks and watches which
are condemned "a double or a treble debt to pay": which, besides their
legitimate object, to show the hour, tell you the day of the month or
the week, give you a landscape for a dial-plate, with the second hand
forming the sails of a windmill, or have a barrel to play a tune, or an
alarum to remind you of an engagement: all very good things in their
way; but so it is that these watches never tell the time so well as
those in which that is the exclusive object of the maker. Every
additional movement is an obstacle to the original design. We do not
deny that we have learned much physic, and much law, from _Patronage_,
particularly the latter, for Miss Edgeworth's law is of a very original
kind; but it was not to learn law and physic that we took up the book,
and we suspect we should have been more pleased if we had been less
taught. With regard to the influence of religion, which is scarcely, if
at all, alluded to in Miss Edgeworth's novels, we would abstain from
pronouncing any decision which should apply to her personally. She may,
for aught we know, entertain opinions which would not permit her, with
consistency, to attribute more to it than she has done; in that case she
stands acquitted, in _foro conscientiae_, of wilfully suppressing any
thing which she acknowledges to be true and important; but, as a writer,
it must still be considered as a blemish, in the eyes at least of those
who think differently, that virtue should be studiously inculcated with
scarcely any reference to what they regard as the main spring of it;
that vice should be traced to every other source except the want of
religious principle; that the most radical change from worthlessness to
excellence should be represented as wholly independent of that agent
which they consider as the only one that can accomplish it; and that
consolation under affliction should be represented as derived from every
source except the one which they look to as the only true and sure one:
"is it not because there is no God in Israel that ye have sent to
inquire of Baalzebub the God of Ekron?"
Public-domain text, read in full here on John Shaqi.
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