Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
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Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
Books -- Reviews; Criticism; English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
But we must proceed to the publication of which the title is prefixed to
this article. It contains, it seems, the earliest and the latest
productions of the author; the first of them having been purchased, we
are told, many years back by a bookseller, who, for some reason
unexplained, thought proper to alter his mind and withhold it. We do not
much applaud his taste; for though it is decidedly inferior to her other
works, having less plot, and what there is, less artificially wrought
up, and also less exquisite nicety of moral painting; yet the same kind
of excellences which characterise the other novels may be perceived in
this, in a degree which would have been highly creditable to most other
writers of the same school, and which would have entitled the author to
considerable praise, had she written nothing better.
We already begin to fear, that we have indulged too much in extracts,
and we must save some room for _Persuasion_, or we could not resist
giving a specimen of John Thorpe, with his horse that _cannot_ go less
than 10 miles an hour, his refusal to drive his sister "because she has
such thick ankles," and his sober consumption of five pints of port a
day; altogether the best portrait of a species, which, though almost
extinct, cannot yet be quite classed among the Palaeotheria, the Bang-up
Oxonian. Miss Thorpe, the jilt of middling life, is, in her way, quite
as good, though she has not the advantage of being the representative of
a rare or a diminishing species. We fear few of our readers, however
they may admire the naïveté, will admit the truth of poor John Morland's
postscript, "I can never expect to know such another woman."
The latter of these novels, however, _Persuasion_, which is more
strictly to be considered as a posthumous work, possesses that
superiority which might be expected from the more mature age at which it
was written, and is second, we think, to none of the former ones, if not
superior to all. In the humorous delineation of character it does not
abound quite so much as some of the others, though it has great merit
even on that score; but it has more of that tender and yet elevated kind
of interest which is aimed at by the generality of novels, and in
pursuit of which they seldom fail of running into romantic extravagance:
on the whole, it is one of the most elegant fictions of common life we
ever remember to have met with.
Public-domain text, read in full here on John Shaqi.
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