Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
History
Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
Books -- Reviews; Criticism; English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
shrank from both the task and the exposure which it would entail. I
must, I said, give the true key to my whole life; I must show what I
am, that it may be seen what I am not, and that the phantom may be
extinguished which gibbers instead of me. I wish to be known as a
living man, and not as a scarecrow which is dressed up in my
clothes.... I will draw out, as far as may be, the history of my mind;
I will state the point at which I began, in what external suggestion
or accident each opinion had its rise, how far and how they were
developed from within, how they grew, were modified, were combined,
were in collision with each other, and were changed. Again, how I
conducted myself towards them; and how, and how far, and for how long
a time, I thought I could hold them consistently with the
ecclesiastical engagements which I had made, and with the position
which I filled.... It is not at all pleasant for me to be egotistical
nor to be criticised for being so. It is not pleasant to reveal to
high and low, young and old, what has gone on within me from my early
years. It is not pleasant to be giving to every shallow or flippant
disputant the advantage over me of knowing my most private thoughts, I
might even say the intercourse between myself and my Maker.
--pp. 47-51.
Here is the task he set himself, and the task which he has performed.
There is in these pages an absolute revealing of the hidden life in its
acting, and its processes, which at times is almost startling, which is
everywhere of the deepest interest. For the life thus revealed is well
worthy of the pen by which it is portrayed. Of all those who, in these
later years, have quitted the Church of England for the Roman communion
--esteemed, honoured, and beloved, as were many of them--no one, save
Dr. Newman, appears to us to possess the rare gift of undoubted genius.
That life, moreover, which anywhere and at any time must have marked its
own character on his fellows, was cast precisely at the time and place
most favourable for stamping upon others the impress of itself. The
plate was ready to receive and to retain every line of the image which
was thrown so vividly upon it. The history, therefore, of this life in
its shifting scenes of thought, feeling, and purpose, becomes in fact
the history of a school, a party, and a sect. From its effect on us,
who, from without, judge of it with critical calmness, we can form some
idea of what must be its power on those who were within the charmed
ring; who were actually under the wand of the enchanter, for whom there
was music in that voice, fascination in that eye, and habitual command
in that spare but lustrous countenance; and who can trace again in this
retrospect the colours and shadows which in those years which fixed
their destiny, passed, though in less distinct hues, into their own
lives, and made them what they are.
Public-domain text, read in full here on John Shaqi.
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