Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
History
Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
Books -- Reviews; Criticism; English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
developed in such men to a degree which, to the multitude, seems as
marvellous as the performance of an Italian _Improvisatore._
But they are fortunate indeed if they retain unimpaired the faculties
which are required for close reasoning or for enlarged speculation.
Indeed we should sooner expect a great original work on political
science, such a work, for example, as the Wealth of Nations, from an
apothecary in a country town, or from a minister in the Hebrides, than
from a statesman who, ever since he was one-and-twenty, had been a
distinguished debater in the House of Commons.
We therefore hail with pleasure, though assuredly not with unmixed
pleasure, the appearance of this work. That a young politician should,
in the intervals afforded by his parliamentary avocations, have
constructed and propounded, with much study and mental toil, an original
theory on a great problem in politics, is a circumstance which,
abstracted from all consideration of the soundness or unsoundness of his
opinions, must be considered as highly creditable to him. We certainly
cannot wish that Mr. Gladstone's doctrines may become fashionable among
public men. But we heartily wish that his laudable desire to penetrate
beneath the surface of questions, and to arrive, by long and intent
meditation, at the knowledge of great general laws, were much more
fashionable than we at all expect it to become.
Mr. Gladstone seems to us to be, in many respects, exceedingly well
qualified for philosophical investigation. His mind is of large grasp;
nor is he deficient in dialectical skill. But he does not give his
intellect fair play. There is no want of light, but a great want of what
Bacon would have called dry light. Whatever Mr. Gladstone sees is
refracted and distorted by a false medium of passions and prejudices.
His style bears a remarkable analogy to his mode of thinking, and indeed
exercises great influence on his mode of thinking. His rhetoric, though
often good of its kind, darkens and perplexes the logic which it should
illustrate. Half his acuteness and diligence, with a barren imagination
and a scanty vocabulary, would have saved him from almost all his
mistakes. He has one gift most dangerous to a speculator, a vast command
of a kind of language, grave and majestic, but of vague and uncertain
import; of a kind of language which affects us much in the same way in
which the lofty diction of the Chorus of Clouds affected the
simple-hearted Athenian.
[Greek: o gae tou phthegmatos, os hieron, kai semnon, kai teratodes.]
Public-domain text, read in full here on John Shaqi.
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