Famous Violinists of To-day and YesterdayLahee, Henry Charles
History
Famous Violinists of To-day and Yesterday
Lahee, Henry Charles
Bull, Ole, 1810-1880; Joachim, Joseph, 1831-1907; Paganini, Nicolò, 1782-1840; Violinists
Camilla Urso has been for many years one of the best known violinists in
the United States. She was born at Nantes, in France, in 1842, of
Italian parents. Her father was Salvator Urso, a good musician, and son
of a good musician, so that the young violinist inherited some of her
talent. In 1852 the family crossed the Atlantic and settled in the
United States, and almost immediately the little girl began to appear at
concerts. Camilla Urso began to study the violin at the age of six
years, and her choice of that instrument was determined by her hearing
the violin and being fascinated by it during a celebration of the Mass
of St. Cecilia. She was taken to Paris for instruction, for which
purpose her father abandoned his position at Nantes. She entered the
Conservatoire and became a pupil of Massart.
She made a tour through Germany, during which she met with immense
success, and then returned to Paris to continue her studies.
She was fresh from Massart's instruction when, in October, 1852, she
made her first appearance in Boston, where her playing and her style
called forth eulogies from the critics of those days. John S. Dwight
wrote to the effect that it was one of the most touching experiences of
his life to see and hear the charming little maiden, so natural and
childlike, so full of sentiment and thought, so self-possessed and
graceful. Her tone was pure, and her intonation faultless, and she
played with a "fine and caressing delicacy," and gave out strong
passages in chords with thrilling grandeur.
For three years she continued to travel and delight American audiences,
and then for a period of about five years she retired into private life,
and did not resume her professional career until 1862, from which time
she frequently made concert tours in America until she returned to
Paris. It was about the period of these tours that her influence upon
young women began to be felt, for she was at an age when womanly grace
becomes evident, and her manners and character were as fascinating as
her playing.
In Paris she so pleased M. Pasdeloup that he begged her not to allow
herself to be heard in public until she had played at his concerts. "You
may count upon a splendid triumph," he said. "It is _I_ who tell you so.
Your star is in the ascendant, and soon it will shine at the zenith of
the artistic firmament."
The result justified the prophecy, and Camilla Urso was the recipient of
great honours in Paris. She was presented by the public with a pair of
valuable diamond earrings, and was treated almost like a prima donna.
Public-domain text, read in full here on John Shaqi.
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