Part of the narrative is here put into the mouth of a peasant, and told
in peasant language, or something approaching to it. Over the propriety
of this proceeding, adopted also in _Les Maitres Sonneurs_, French
critics are disagreed, though for the most part they regret it. It is
not for a foreigner to decide between them. One would certainly regret
the absence of some of the extremely original and expressive words and
turns of speech current among the rural population, forms which such a
method enabled her to introduce into the narrative as well as into the
dialogue.
_La Petite Fadette_ is not only worthy of its predecessors but by many
will be preferred to either. There is something particularly attractive
in the portraits of the twin brothers--partly estranged by character,
wholly united by affection,--and in the figure of Fanchon Fadet, an
original in humble life, which has made this little work a general
favorite wherever it is known.
These prose-idylls have been called "The Georgics of France." It is
curious that in a country so largely agricultural, and where nature
presents more variety of picturesque aspect than perhaps in any other in
Europe, the poetic side of rural life should have been so sparingly
represented in her imaginative literature. French poets of nature have
mostly sought their inspiration out of their own land, "In France,
especially," observes Theophile Gautier, "all literary people live in
town, that is in Paris the centre, know little of what is unconnected
with it, and most of them cannot tell wheat from barley, potatoes from
beetroot." It was a happy inspiration that prompted Madame Sand to fill
in the blank, in a way all her own, and her task as we have seen was
completed, revolutions notwithstanding. She owns to having then felt the
attraction experienced in all time by those hard hit by public
calamities, "to throw themselves back on pastoral dreams, all the more
naive and childlike for the brutality and darkness triumphant in the
world of activity." Tired of "turning round and round in a false circle
of argument, of accusing the governing minority, but only to be forced
to acknowledge after all that they were put there by the choice of the
majority," she wished to forget it all: and her poetic temperament which
unfitted her for success in politics assisted her in finding consolation
in nature.
Public-domain text, read in full here on John Shaqi.
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