It is even conceivable that the poet, when in a just frame of mind, and
not seeking inspiration for his _Nuit de Mai_ or _Histoire d'un Merle
blanc_, would not have seen in _Elle et Lui_ a falsification of the
spirit of their history. The theorizing of the outside world in such
matters is of little worth; but the novel bears, conspicuously among
Madame Sand's productions, the stamp of a study from real life, true in
its leading features. And the conduct of the heroine, Therese, though
accounted for and eloquently defended, is by no means, as related,
ideally blameless. After an attachment so strong as to induce a
seriously-minded person, such as she is represented, to throw aside for
it all other considerations, the hastiness with which, on discovering
her mistake, she entertains the idea of bestowing her hand, if not her
heart, on another, is an exhibition of feminine inconsequence which no
amount of previous misconduct on the part of her lover, Laurent, can
justify. Further, Therese is self-deceived in supposing her passion to
have died out with her esteem. She breaks with the culprit and engages
her word to a worthier man. But enough remains over of the past to
prevent her from keeping the promise she ought never to have made. When
she sacrifices her unselfish friend to return to the lover who has made
her miserable, she is sincere, but not heroic. She is too weak to shake
off the influence of the fatal infatuation and shut out Laurent from her
life, nor yet can she accept her heart's choice for better or worse,
even when experience has left her little to learn with regard to
Laurent. Clearly both friend and lover, out of a novel, would feel
wronged. Therese's excuse lies in the extremely trying character of her
companion, whose vagaries may be supposed to have driven her beside
herself at times, just as her airs of superiority and mute reproach may
have driven him not a little mad. Those who wish to know in what spirit
Madame Sand met the attacks upon her provoked by this book, will find
her reply in a very few words at the conclusion of her preface to _Jean
de la Roche_, published the same year.
Public-domain text, read in full here on John Shaqi.
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