But Michel's work was a work of demolition only; and when his earnest
disciple wanted new theories in place of the old forms so ruthlessly
destroyed, he had none to offer. There were others, however, who could.
She was soon to be put into communication with a number of the active
workers for the republican cause throughout the country. They counted
many of the best hearts and not the worst heads in France, and were
naturally eager to enlist her energies on their side.
Foremost, by right of the influence exercised over her awhile by his
writings, was the philosopher Pierre Leroux, with whom her acquaintance
dates from this same year. In spite of the wide divergence between her
pre-eminently artistic spirit and a mind of the rougher stamp of this
born iconoclast, he was to indoctrinate her with many new opinions. His
disinterested character won her admiration; he was a practical
philanthropist as well as a critical thinker, one whose life and
fighting power were devoted to promoting the good of the working classes
to whom he belonged, having been brought up as a printer. He was
regarded as the apostle of communism, as then understood, or rather not
understood--for the form under which it suggested itself to the social
reformers of the period in question was entirely indefinite.
Meantime the novelist's pen was far from idle. One or two pleasant
glimpses she has given us into her manner of working belong to this
year. In the summer the heat in her "poet's garret" becoming
intolerable, she took refuge in a congenial solitude offered by the
ground-floor apartments of the house, then in course of reconstruction,
dismantled and untenanted. The works had been temporarily suspended,
and Madame Sand took possession of the field abandoned by the builders
and carpenters. The windows and doors opening into the garden had been
taken away, and the place thus turned into an airy, cool retreat. Out of
the apparatus of the workmen, left behind, she constructed her
writing-establishment, and here, secure from interruption, denying
herself to all visitors, never going out except to visit her children at
their respective schools, she completed her novel with no companions but
the spiders crawling over the planks, the mice running in and out of the
corners, and the blackbirds hopping in from the garden; the deep sense
of solitude enhanced by the roar of the city in the very heart of which
she had thus voluntarily isolated herself.
Public-domain text, read in full here on John Shaqi.
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