her achievements partake of the marvellous; and there are digressions in
the book which are diffuse in the extreme; but nowhere is the author's
imagination more attractively displayed and her style more engaging. The
tone throughout is noble and pure. To look on _Consuelo_ as an agreeable
story merely is to overlook the elevation of the moral standard of the
book, in which much of its power resides. It marks more strongly than
_Mauprat_ the change that had come over the spirit of George Sand's
compositions.
In the continuation, _La Comtesse de Rodolstadt_, which followed
immediately in the _Revue Independante_, 1843, the novelist strays
further and further from reality--the _terra firma_ on which her fancy
improvises such charming dances. Here she only touches the ground now
and then, and between whiles her imagination asks ours to accompany it
on the most extraordinary flights. As a novel of adventure, it is
written with unflagging spirit; and in the rites and doctrines of the
_Illuminati_, an idealization of the feature of the secret sects of the
last century, she found a new medium of expression for her sentiments
regarding the present abuses of society and the need of thorough
renovation. Secret societies, at that time, were extremely numerous and
active among the Republican workers in France. Madame Sand seems
thoroughly to have appreciated their dangers, and has expressly stated
that she was no advocate of such sects; that though under a tyranny,
such as that which oppressed Germany in the times of which she wrote,
they may be a necessity, elsewhere they are an abuse if not a crime.
"The custom indeed I have never regarded as applicable for good in our
time and our country; I have never believed that it can bring forth
anything in future but a dictatorship, and the dictatorial principle is
one I have never accepted." (_Histoire de ma Vie._)
But the romance of the subject was irresistibly tempting to her
inventive faculty. "Tell Leroux to send me some more books on
freemasonry, if he can find any," she writes to a correspondent at Paris
whilst working at the _Comtesse de Rudolstadt_ at Nohant; "I am plunged
into it over head and ears. Tell him also that he has there thrown me
into an abyss of follies and absurdities, but that I am dabbling about
courageously though prepared to extract nothing but nonsense."
Public-domain text, read in full here on John Shaqi.
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