This brings us very near to an old and rather threadbare theatrical controversy, about whether staging should be simple or elaborate. I do not mean to begin that argument all over again. What is really wanted is not so much the simple stage-manager as the simple spectator. In a very real sense, what is wanted is the simple critic, who would be in truth the most subtle critic. The healthy human instincts in these things are at least as much spoiled by sophistication in the stalls as by elaboration on the stage. A really simple mind would enjoy a simple scene--and also a gorgeous scene. A popular instinct, to be found in all folklore, would know well enough when the one or the other was appropriate. But what is involved here is not the whole of that sophistication, but only one particular sophistry, and against that sophistry we may well pause to protest. It is the critical fallacy of cutting off a real donkey’s head to put it on Bottom the Weaver; when the head is symbolical, and in that case more appropriate to the critic than to the actor. The Secret Society of Mankind With that fantastic love of paradox which gives pain to so many critics, I once suggested that there may be some truth in the notion of the brotherhood of men. This was naturally a subject for severe criticism from the modern or modernist standpoint; and I remember that the cleverest refutation of it occurred in a book which was called “We Moderns.” It was written by Mr. Edward Moore, and very well written too; indeed the author did himself some injustice in insisting on his own modernity; for he was not so very modern after all, but really quite lucid and coherent. But I will venture to take his remark as a text here because it concerns a matter on which most moderns darken counsel in a highly incoherent manner. It concerns the nature of the unity of men; which I did certainly state in its more defiant form as the equality of man. And I said that this norm or meeting-place of mankind can be found in the two extremes of the comic and the tragic. I said that no individual tragedy could be so tragic as having to die; and all men have equally to die. I said that nothing can be funnier than having two legs; and all men can join equally in the joke.