Each number has about 80 pp. of letterpress, and is complete in itself. The illustrations generally consist of four copper-plates and twenty illustrations in the text. 1895. THE EARLY WORK OF RAPHAEL. By JULIA CARTWRIGHT. W. Q. ORCHARDSON. By WALTER ARMSTRONG. CLAUDE LORRAIN. By GEORGE GRAHAME. WHITEHALL. By W. J. LOFTIE. JAPANESE WOOD ENGRAVINGS. By WILLIAM ANDERSON. ANTOINE WATTEAU. By CLAUDE PHILLIPS. THE ISLE OF WIGHT. By C. J. CORNISH. RAPHAEL IN ROME. By JULIA CARTWRIGHT. DUTCH ETCHERS OF THE SEVENTEENTH CENTURY. By LAURENCE BINYON. WILLIAM BLAKE. By RICHARD GARNETT. MODERN SPANISH PAINTERS. By R. CORTISSOZ. THE DULWICH GALLERY. By HUMPHRY WARD. THE PORTFOLIO _ARTISTIC MONOGRAPHS. Price 2s. 6d. nett._ 1894. REMBRANDT’S ETCHINGS. By P. G. HAMERTON. MALTA AND THE KNIGHTS HOSPITALLERS. By W. K. R. BEDFORD. JOSIAH WEDGWOOD, MASTER POTTER. By A. H. CHURCH. BASTIEN LEPAGE. By JULIA CARTWRIGHT. D. G. ROSSETTI. By F. G. STEPHENS. FREDERICK WALKER. By CLAUDE PHILLIPS. FAIR WOMEN. By WILLIAM SHARP. THE NEW FOREST. By C. J. CORNISH. THOMAS GAINSBOROUGH. By WALTER ARMSTRONG. BOOKBINDING IN FRANCE. By W. Y. FLETCHER. ALBERT DÜRER. By LIONEL CUST. ITALIAN BOOK ILLUSTRATIONS OF THE FIFTEENTH AND SIXTEENTH CENTURIES. By ALFRED W. POLLARD. ------------------ BY THE AUTHOR OF ‘LIFE AT THE ZOO.’ WILD ENGLAND OF TO-DAY _AND THE WILD LIFE IN IT_. By C. J. CORNISH. _With Sixteen Illustrations, demy 8vo., 12s. 6d._ ‘A delightful work for genuine lovers of natural history and for all by whom the sights and sounds of the country-side are still held in esteem.’—_Daily Telegraph._ ‘Every chapter has the charm of wild life and of the fresh unsullied country. The illustrations are excellent.’—_Scotsman._ ‘The scenes by sea or land, on the rivers of the south or the moors of the north, are vividly drawn by one who knows them.’—_Manchester Guardian._ ------------------ UNIFORM WITH THIS VOLUME. LIFE AT THE ZOO _NOTES AND TRADITIONS OF THE REGENT’S PARK GARDENS._ By C. J. CORNISH. _Illustrated from Photographs by Gambier Bolton._ OPINIONS OF THE PRESS. ‘In its graver, as in its lighter, portions, this absorbing work is without a single dull or superfluous line, and its value is not a little enhanced by the several beautiful reproductions of photographs of Mr. Gambier Bolton.’—_World._