But no man ever had a wife unless he served a great predominant purpose. Otherwise, he has a lover, a mistress. No matter how much she may be married to him, unless his days have a living purpose, constructive or destructive, but a purpose beyond her and all she stands for; unless his days have this purpose, and his soul is really committed to his purpose, she will not be a wife, she will be only a mistress and he will be her lover. If the man has no purpose for his days, then to the woman alone remains the goal of her nights: the great sex goal. And this goal is no goal, but always cries for the something beyond: for the rising in the morning and the going forth beyond, the man disappearing ahead into the distance of futurity, that which his purpose stands for, the future. The sex goal needs, absolutely needs, this further departure. And if there _be_ no further departure, no great way of belief on ahead: and if sex is the starting point and the goal as well: then sex becomes like the bottomless pit, insatiable. It demands at last the departure into death, the only available beyond. Like Carmen, or like Anna Karenina. When sex is the starting point and the returning point both, then the only issue is death. Which is plain as a pike-staff in "Carmen" or "Anna Karenina," and is the theme of almost _all_ modern tragedy. Our one hackneyed, hackneyed theme. Ecstasies and agonies of love, and final passion of death. Death is the only pure, beautiful conclusion of a great passion. Lovers, pure lovers should say "Let it be so." And one is always tempted to say "Let it be so." But no, let it be not so. Only I say this, let it be a great passion and then death, rather than a false or faked purpose. Tolstoi said "No" to the passion and the death conclusion. And then drew into the dreary issue of a false conclusion. His books were better than his life. Better the woman's goal, sex and death, than some _false_ goal of man's. Better Anna Karenina and Vronsky a thousand times than Natasha and that porpoise of a Pierre. This pretty, slightly sordid couple tried so hard to kid themselves that the porpoise Pierre was puffing with great purpose. Better Vronsky than Tolstoi himself, in my mind. Better Vronsky's final statement: "As a soldier I am still some good. As a man I am a ruin"--better that than Tolstoi and Tolstoi-ism and that beastly peasant blouse the old man wore. Better passion and death than any more of these "isms." No more of the old purpose done up in aspic. Better passion and death. But still--we _might_ live, mightn't we? For heaven's sake answer plainly "No," if you feel like it. No good temporizing. EPILOGUE "_Tutti i salmi finiscono in gloria._" All the psalms wind up with the Gloria.--"As it was in the beginning, is now, and ever shall be, World without end. Amen." Well, then, Amen.