Fantasia of the UnconsciousLawrence, D. H. (David Herbert)
Philosophy
Fantasia of the Unconscious
Lawrence, D. H. (David Herbert)
Psychoanalysis; Sex; Subconsciousness
But this is a digression. The argument is, that between an individual
and any external object with which he has an affective connection,
there exists a definite vital flow, as definite and concrete as the
electric current whose polarized circuit sets our tram-cars running
and our lamps shining, or our Marconi wires vibrating. Whether this
object be human, or animal, or plant, or quite inanimate, there is
still a circuit. My dog, my canary has a polarized connection with me.
Nay, the very cells in the ash-tree I loved as a child had a dynamic
vibratory connection with the nuclei in my own centers of primary
consciousness. And further still, the boots I have worn are so
saturated with my own magnetism, my own vital activity, that if anyone
else wear them I feel it is a trespass, almost as if another man used
my hand to knock away a fly. I doubt very much if a blood-hound, when
it takes a scent, _smells_, in our sense of the word. It receives at
the infinitely sensitive telegraphic center of the dog's nostrils the
vital vibration which remains in the inanimate object from the
individual with whom the object was associated. I should like to know
if a dog would trace a pair of quite new shoes which had merely been
dragged at the end of a string. That is, does he follow the smell of
the leather itself, or the vibration track of the individual whose
vitality is communicated to the leather?
So, there is a definite vibratory rapport between a man and his
surroundings, once he definitely gets into contact with these
surroundings. Any particular locality, any house which has been lived
in has a vibration, a transferred vitality of its own. This is either
sympathetic or antipathetic to the succeeding individual in varying
degree. But certain it is that the inhabitants who live at the foot of
Etna will always have a certain pitch of life-vibration, antagonistic
to the pitch of vibration even of a Palermitan, in some measure. And
old houses are saturated with human presence, at last to a degree of
indecency, unbearable. And tradition, in its most elemental sense,
means the continuing of the same peculiar pitch of vital vibration.
Public-domain text, read in full here on John Shaqi.
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