Far above rubies (Vol. 3 of 3) : $b A novelRiddell, J. H., Mrs.
General
Far above rubies (Vol. 3 of 3) : $b A novel
Riddell, J. H., Mrs.
Fiction
The expression on his countenance, which had so struck her while the
train moved out of the station, was on his countenance still. He was all
alone, as he thought, now; with no need to put on a mask, with no
necessity to smile, or speak, or deceive; and as Heather, watching him,
beheld that look of misery deepen and deepen, while he walked so slowly
back, an awful dread took possession of her—a dread of something being
about to happen which made her tremble as though in an ague-fit.
He was now beside the well—an old-fashioned one, with rope and windlass,
up which the men had in former days drawn buckets of water, but now
neglected and disused. It had long been covered over for fear of
accidents, and though the boards had shrunk one from another with the
heat of many summers, still the planking was secure enough to render all
fear of accident unnecessary.
Beside this well, Arthur now paused for a moment, apparently irresolute;
then he stooped, and through the stillness the sound of a splash, of
something falling down, and then touching water, ascended to where
Heather stood.
At that moment she could not have moved had it been to save her life;
but she could watch, and she did, to see Arthur rise with a face from
which even despair was blotted out; for despair implies a certain
ability left to wrestle against, or, at all events, to feel utter
hopelessness; but now, the sun looked down upon a man who had passed
even that stage, who had gone through his last struggle, cast his last
die.
It was with the expression of a person already dead, Arthur turned from
the well and walked across the court-yard, with the key no longer
swinging on his forefinger.
What could he be intending to do? Heather dropped on her knees beside
the window, and watched him enter the carpenter’s shop. She dared not
have met him then. There came upon her such an access of terror when she
heard that key splash into the water, as swept everything else out of
her heart for the time being, save the most unconquerable, abject fear—a
fear which prevented her even thinking, which took away the power of
putting two and two together, and conceiving what project it might be
Arthur had in hand.
She was like one in a dream—with a great horror on her, she fell on her
knees and watched. Through it all, there was a vague, night-mare kind of
consciousness that she and Arthur were locked up alone together—that
escape for either of them was not possible—that if help were needed,
help was now unattainable.
Public-domain text, read in full here on John Shaqi.
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