Fardorougha, The Miser: The Works of William Carleton, Volume OneCarleton, William
General
Fardorougha, The Miser: The Works of William Carleton, Volume One
Carleton, William
Ireland -- Social life and customs -- Fiction
“Why don't you cry, _anien maehree_? (daughter of my heart). Thry and
shed tears; it 'ill take away this burning pain that's in your poor head;
oh, thry and let down the tears, and you'll see how it 'ill relieve I
you.”
“Mother, I can't,” she replied; “I can shed no tears; I wish they were
home, for I the worst couldn't be worse than this.”
“No, asthore, it couldn't--it can't; husth! I--do you hear it? There
they are; that's the car; ay, indeed, it's at the gate.”
They both listened for a moment, and the voices of her father and
brother were distinctly heard giving some necessary orders! to the
servant.
“Mother, mother,” exclaimed Una, pressing her hands upon her heart, “my
heart is bursting, and my temples--my temples--”
“Chierna yeelish,” said the mother, feeling its strong and rapid
palpitations, “you can't stand this. Oh, darling of my heart, for the
sake of your own life, and of the living God, be firm!”
At this moment their knock at the hall-door occasioned her to leap with
a sudden start, almost out of her mother's arms. But, all at once, the
tumult of that heart ceased, and the vermillion of her cheek changed to
the hue of death. With a composure probably more the result of weakness
than fortitude, she clasped her hands, and giving a fixed gaze towards
the parlor-door, that spoke the resignation of despair, she awaited the
tidings of her lover's doom. They both entered, and, after a cautious
glance about the room, immediately perceived the situation in which,
reclining on her mother's bosom, she lay, ghastly as a corpse, before
them.
“Una, dear,” said John, approaching her, “I am afraid you are ill.”
She riveted her eyes upon him, as if she would read his soul, but she
could not utter a syllable.
The young man's countenance became overshadowed by a deep and mournful
sense of the task he found himself compelled to perform; his voice
faltered, and his lips trembled, as--, in a low tone of heartfelt and
profound sympathy, he exclaimed:
“Una, dear, you had better go to bed, and let my mother stay with you.”
Calmly she heard him, and, rising, she slowly but deliberately left
the room, and proceeded up stairs with a degree of steadiness which
surprised her mother. The only words she uttered on hearing this
blighting communication, were, “Come with me, mother.”
“Una, darling,” said the latter when they had reached the bed-room, “why
don't you spake to me? Let me hear your voice, jewel; only let me hear
your voice.”
Una stooped and affectionately kissed her, but made no reply for some
minutes. She then began to undress, which she did in fits and starts;
sometimes pausing, in evident abstraction, for a considerable time, and
again resuming the task of preparing for bed.
“Mother,” she at length said, “my heart is as cold as ice; but my brain
is burning; feel my temples; how hot they are, and how they beat!”
Public-domain text, read in full here on John Shaqi.
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