Fardorougha, The Miser: The Works of William Carleton, Volume OneCarleton, William
General
Fardorougha, The Miser: The Works of William Carleton, Volume One
Carleton, William
Ireland -- Social life and customs -- Fiction
is to work out a bad action with success, and how the means, and plans,
and instruments necessary to it must multiply and become so deep and
complicated in guilt, that scarcely any single intellect, in the case
of a person who can be reached by the laws, is equal to the task of
executing a great crime against society, in a perfect manner. If this
were so, discovery would be impossible, and revenge certain.
With respect to Connor himself it is only necessary to say that a short
but well-spent life, and a heart naturally firm, deprived death of its
greatest terrors. Still he felt it, in some depressed moods, a terrible
thing indeed to reflect, that he, in the very fullness of strength and
youth, should be cut down from among his fellows--a victim without a
crime, and laid with shame in the grave of a felon. But he had witnessed
neither his mother's piety nor her example in vain, and it was in the
gloom of his dungeon that he felt the light of both upon his spirit.
“Surely,” said he, “as I am to die, is it not better that I should die
innocent than guilty? Instead of fretting that I suffer, a guiltless
man, surely I ought to thank God that I am so; an' that my soul hasn't
to meet the sin of such a revengeful act as I'm now condemned for. I'll
die, then, like a Christian man, putting my hope and trust in the mercy
of my Redeemer--ever an' always hoping that by His assistance I will be
enabled to do it.”
Different, indeed, were the moral state and position of these two young
men; the one, though lying in his prison cell, was sustained by the
force of conscious innocence, and that reliance upon the mercy of God,
which constitutes the highest order of piety, and the noblest basis of
fortitude; the other, on the contrary, disturbed by the tumultuous and
gloomy associations of guilt, and writhing under the conviction, that,
although he had revenge, he had not satisfaction. The terror of crime
was upon him, and he felt himself deprived of that best and only
security, which sets all vain apprehensions at defiance, the
consciousness of inward integrity. Who, after all, would barter an
honest heart for the danger arising from secret villany, when such an
apparently triumphant villain as Bartle Flanagan felt a deadly fear, of
Connor O'Donovan in his very dungeon? Such, however, is guilt, and such
are the terrors that accompany it.
Public-domain text, read in full here on John Shaqi.
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