Fardorougha, The Miser: The Works of William Carleton, Volume OneCarleton, William
General
Fardorougha, The Miser: The Works of William Carleton, Volume One
Carleton, William
Ireland -- Social life and customs -- Fiction
This was what might be very properly called a knock-down blow; for if
the reader but reflects a moment he will see that Kitty, on taxing her
antagonist, after her rescue, with leaving it open, directly betrayed
herself, as there was and could have been no one in the house cognizant
of the fact at the time unless the guilty person. With this latter
exception, Alick Nulty was the, only individual aware of it, and
from whom the knowledge of it could come. Kitty, therefore, by her
over-anxiety to exculpate herself from a charge which had not been made,
became the unconscious instrument I of disclosing the fact of her having
left the door open.
This trying query, coming upon her unexpectedly as it did, threw her
into palpable confusion. Her face became at once suffused with a deep
scarlet hue, occasioned by mingled shame and resentment, as was at once
evident from the malignant and fiery glare which she turned upon her
querist.
“Get out,” she replied; “do you think I'd think it worth my while to
answer the likes o' you? I'd see you farther than I could look first.
You, indeed! faugh! musha bad luck to your impidence!”
“Oh, i' you plaise, ma'am,” said Biddy, dropping a courtesy, that
might well be termed the very pink of politeness--“we hope you'll show
yourself a betther Christin than to be ignorant o' your catechize. So.
ma'am, if it 'ud be plaisin' to you afore the company maybe you'd answer
it.”
“Who made you my misthress, you blaggard flipe? who gave you authority
to ax me sich a question?” replied the other. “A fellow-servant like
myself! to the devil I pitch you. You, indeed! Faix, it's well come up
wid the likes o' you to ballyrag over me.”
“Well, but ma'am dear, will you answer--that is, i' you plaise, for sure
we can't forget our manners, you know--will you jist answer what I
axed you? Oh, be me cowl, your face condimns you, my lady!” said Biddy,
abruptly changing her tone; “it does, you yolla Mullatty, it does. You
bethrayed the masther's house, an' Miss Oona, too, you villin o' blazes!
If you could see your face now--your guilty face!”
The spirit of her antagonist, being that of a woman, could bear no more.
The last words were scarcely uttered, when Lowry made a spring like a
tigress at her opponent, who, however, received this onset with a skill
and intrepidity worthy of Penthesilea herself. They were immediately
separated, but not until they had twisted and twined about one another
two or three times, after which, each displayed, by way of a trophy, a
copious handful of hair that had changed proprietor-ship during their
brief but energetic conflict.
In addition to this, there were visible on Kitty's face five small
streams of liquid gore, which, no doubt, would have been found to
correspond with the red expanded talons of her antagonist.
John O'Brien then put the question seriously to Lowry, who, now that
her blood was up, or probably feeling that she had betrayed herself,
declined to answer it at all.
Public-domain text, read in full here on John Shaqi.
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