"Why, think of all the difficulties, my boy," said Father Payne. "There's nothing like Boswell's Johnson, of course--but what a subject! There's nothing that so proves Boswells genius--we mustn't forget that--as the other wretched stuff written about Johnson. There's a passage in Boswell, when he didn't see Johnson for a long time, and stuck in a few stories collected from other friends. They are awfully flat and flabby--they have all been rolled about in some one's mind, till they are as smooth as pebbles--some bits of the crudest rudeness, not worked up to--some knock-down schoolboy retorts which most civilised men would have had the decency to repress--and then we get back to the real Boswell again, and how fresh and lively it is!" "But what are the difficulties you spoke of?" I said. "Why, in the first place," said Father Payne, "a biography ought to be written _during_ a man's life and not _after_ it--and very few people will take the trouble to write things down day after day about anyone else, as Boswell did. If it waits till after a man's death, a hush falls on the scene--everyone is pious and sentimental. Of course, Boswell's life is inartistic enough--it wanders along, here a letter, there a lot of criticism, here a talk, there a reminiscence. It isn't arranged--it has no scheme: but how full of _zest_ it is! And then you have to be pretty shameless in pursuing your hero, and elbowing other people away, and drawing him out; and you have to be prepared to be kicked and trampled upon, when the hero is cross: and then you have to be a considerable snob, and say what you really value and admire, however vulgar it is. And then you must expect to be called hard names when the book appears. I was reading a review the other day of what seemed to me to be a harmless biography enough--a little frank and enthusiastic affair, I gathered: and the reviewer wrote in the style of Pecksniff, caddish and priggish at the same time: he called the man to task for botanising on his friend's grave--that unfortunate verse of Wordsworth's, you know--and he left the impression that the writer had done something indelicate and impious, and all with a consciousness of how high-minded he himself was.