"It's very odd," he went on, "that I should love this little bit of the
world so much as I do. It's called mine--that's a curious idea. I have got
very little power over it. I can't prevent the trees and flowers from
growing here, or the birds from nesting here, if they have a mind to do so.
I can only keep human beings out of it, more or less. And yet I love it
with a sort of passion, so that I want other people to love it too. I
should like to think that after I am gone, some one should come here and
see how exquisitely beautiful it is, and wish to keep it and tend it.
That's what lies behind the principle of inheritance; it isn't the money or
the position only that we desire to hand on to our children--it's the love
of the earth and all that grows out of it; and possession means the desire
of keeping it unspoiled and beautiful, I could weep at the idea of this all
being swept away, and a bdellium-mine being started here, with a
factory-chimney and rows of little houses; and yet I suppose that if the
population increased, and the land was all nationalised, a great deal of
the beauty of England would go. I hope, however, that the sense of beauty
might increase too--I don't think the country people here have much notion
of beauty. They only like things to remain as they know them. It's a
fearful luxury really for a man like myself to live in a land like this, so
full of old woodland and pasture, which is only possible under rich
proprietors. I'm an abuse, of course. I have got a much larger slice of my
native soil than any one man ought to have; but I don't see the way out.
The individual can't dispossess himself--it's the system which is wrong."
He stopped in the middle of the copse, and said: "Did you ever see anything
so perfectly lovely as this place? And yet it is all living in a state of
war and anarchy. The trees and plants against each other, all fighting for
a place in the sun. The rabbit against the grass, the bird against the
worm, the cat against the bird. There's no peace here really--it's full of
terrors! Only the stream is taking it easy. It hasn't to live by taking
life, and the very sound of it is innocent."
Presently he said: "This is all cut down every five years. It's all made
into charcoal and bobbins. Then the flowers all come up in a rush; then the
copse begins to grow again--I never can make up my mind which is most
beautiful. I come and help the woodmen when they cut the copse. That's
pleasant work, you know, cutting and binding. I sometimes wonder if the
hazels hate being slashed about. I expect they do; but it can't hurt them
much, for up they come again. It's the right way to live, of course, to
begin again the minute you are cut down to the roots, to struggle out to
the air and sun again, and to give thanks for life. Don't you feel yourself
as if you were good for centuries of living?"
"I'm not sure that I do," I said, "I don't feel as if I had quite got my
hand in."
Public-domain text, read in full here on John Shaqi.
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